The Routledge Companion to AestheticsBerys Nigel Gaut, Dominic Lopes Psychology Press, 2005 - 705 pagine Containing fifty-four chapters written by leading international scholars and covering all aspects of aesthetics, this fully revised second edition includes eight new entries and updated further reading. |
Sommario
Plato | 3 |
Aristotle | 15 |
Medieval aesthetics | 29 |
Empiricism Hutcheson and Hume | 41 |
Kant | 55 |
Hegel | 71 |
Idealism Schopenhauer Schiller and Schelling | 83 |
Nietzsche | 97 |
Metaphor | 371 |
Pictorial representation | 383 |
Issues and challenges | 399 |
Criticism | 401 |
Art and knowledge | 417 |
Art and ethics | 431 |
Art expression and emotion | 445 |
Tragedy | 457 |
Formalism | 109 |
Pragmatism Dewey | 121 |
Expressivism Croce and Collingwood | 133 |
Heidegger | 147 |
Phenomenology MerleauPonty and Sartre | 159 |
Sibley | 173 |
Goodman | 185 |
Foucault | 199 |
Postmodernism Barthes and Derrida | 213 |
Aesthetic theory | 225 |
Definitions of art | 227 |
Ontology of art | 241 |
The aesthetic | 255 |
Taste | 267 |
Aesthetic universals | 279 |
Value of art | 293 |
Beauty | 307 |
Interpretation | 321 |
Imagination and makebelieve | 335 |
Fiction | 347 |
Narrative | 359 |
Humor | 469 |
Creativity | 477 |
Style | 489 |
Authenticity in performance | 501 |
Fakes and forgeries | 513 |
High art versus low art | 527 |
Environmental aesthetics | 541 |
Feminist aesthetics | 557 |
The individual arts | 569 |
Literature | 571 |
Theater | 585 |
Film | 597 |
Photography | 611 |
Painting | 625 |
Sculpture | 639 |
Architecture | 655 |
Music | 669 |
Dance | 683 |
| 696 | |
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Parole e frasi comuni
aesthetic appreciation aesthetic experience aesthetic properties aesthetic value Aesthetics and Art allographic appears architecture argues argument Aristotle Art Criticism artistic artworks Artworld audience authentic performance beauty Birth of Tragedy Carroll catharsis Chapter character claim cognitive cognitivism concept creativity Critique of Judgment cultural dance definition distinction emotion environmental aesthetics Essays ethical evaluation example expression expressivism feeling feminist aesthetics fiction film formal formalist Foucault function Goodman Hegel Heidegger historically informed performance human Hume ibid idea imagination interpretation Journal of Aesthetics judgement Kant Kant's kind Kivy knowledge literary literature mass art meaning metaphor mimesis moral narrative nature Nietzsche object ontology Oxford University Press painting particular perceive perception Phenomenology photographic picture Plato pleasure Poetics poetry practice psychological qualities question reason reference relevant representation response role Schopenhauer sculpture sense Sibley significant form taste theory things thought tion tradition tragedy trans truth understanding visual