Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 22
... sense is certainly in the work of art itself ; for as we have seen , there is no historical Odysseus - Odysseus is a character within the poem only . Subject- matter in this sense refers to whatever persons , objects , scenes , or ...
... sense is certainly in the work of art itself ; for as we have seen , there is no historical Odysseus - Odysseus is a character within the poem only . Subject- matter in this sense refers to whatever persons , objects , scenes , or ...
Pagina 23
... sense of abstract paintings and music there are none of these in the work at all . And here we find the dif- ference between representational and non - representational arts , a difference which will be pursued in Chapter II in the ...
... sense of abstract paintings and music there are none of these in the work at all . And here we find the dif- ference between representational and non - representational arts , a difference which will be pursued in Chapter II in the ...
Pagina 50
... sense , and another yet to be mentioned ) of a much stronger and more obvious kind abundantly occurs ; but music , almost entirely lacking representa- tion in these senses , is sometimes said to possess it ( particularly in program ...
... sense , and another yet to be mentioned ) of a much stronger and more obvious kind abundantly occurs ; but music , almost entirely lacking representa- tion in these senses , is sometimes said to possess it ( particularly in program ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words