Onstructo pfecta qua greci fintbafiz uo cant ualet ad omniú autor exponem.et ido nuc æ construccōne papaliter et fuis fpeciebus et ptibus dicemus.deind æ regimme subiūgemus.Soas ergo cp. conftiue cōnuz alia pfecta.ficut illa que pfectuz fenfum ge nezat in animo auditoris.ut petrug currit. Alia imperfecta ficut illa que imperiectuz-sensuz gene rat ut homo albus.

Onstrucconis quatuor funt species.scz intrā Iftiua tranfitiua reciproca et retranfitiua. In transitiua constructō é illa i qua non oñditur fi eri tzanficó actus ul passionis de yna persona im aliam.ut fortes cunt.Tranfitiua é illa m qua on ditur ficri tranficò actus ul' passionis de vna pso na m alā.actus ut diligo te.passionis.ut diligor a te. Reapioca ē illa in qua oñditur hien reflexi o actus ul passionis œ ́vna pfona m seipsam.uel & plunbusm seipsis. Qñez fingulariter qñq plu raliter. Simgulant ut diligo me.Diligor a me.plu raliter ut diligimusnos.diligimur a nobis.et di a reci qò è iœey et proco quod eft re. Iñ reciproca .1. reiteratiua. Retzanfitiua ē illa.m qua oñditur fieri transicò actus ul' passionis de vna plona m alia ærermmate.1. cũ că finali.ut rogo te ut doce affiliū meū.vñ p; q 1 construæõ.diligo te dili gentë me fi ́ē retzanfitiua.imo é tnfitiua.Omnis enim construcō retzanfitiua mdiget úbó fubiunc tiui modi cũ adiūctiua conüctione.ul drōne bñ te vim coniuncōnis adiūctiue.ut rogo te ut dil gas me.Et feias op tref speoes cóiuncōnis conue niunt feu rnæent tribus motibusm natuza.ē eniz motus rcus.et ifti conucnit construcō tranfitiua Item & motus azcularis.et huic conuenit reapro ca construcō.Et e motus compofitus.et buic tho tu rñat ul conuenir construcō retzanfitiua. In tranfitiua io construccō nō cōuenit motui ß qeti

Ed pt quen.an bec costacco.bec capa è pe tri fit mtzanfitiua.Dico o fimpliciter é min fitiua.q non oñditur ibi hien transicò actus uel paffionis æ vna pfona im aliñ.Eft tamen ibi tifi [SEE NO. 101.]

BISHOP OF NAPLES, to whom the work is dedicated, printed in gold on the centre of both covers, gilt back, gilt edges. Neapoli, 1704

176. BINDING.-De Vita et Rebus gestis Clementis XI. Pontificis Maximi libri sex. Folio, contemporary Italian binding in marbled calf, with gilt-tooled large beautiful borders, centerpieces and painted ornaments on the sides, containing also the devices of Pope Clement XI., gilt back and gilt edges, with painted ornaments and the arms of Clement XI. Urbini, 1727

A very fine specimen of an Italian binding of the period. 177. BINDING.-Office de la Semaine Sainte en Latin et en François a l'usage de Rome et de Paris. Engraved title and engravings. 8vo, old French red morocco, the sides covered with a gilt geometrical interlaced pattern, the spaces filled with gilt pointillé ornaments, with the arms of MARIE LENCZINSKA, QUEEN OF LOUIS XV. OF FRANCE, impressed in gold on the centre of both covers, gilt edges, by PADELOUP. Paris, 1728 A very fine specimen of Padeloup's binding and in choice condition. [See Reproduction.]

178. BINDING.-Virgilius. Bucolica, Georgica et Aeneis. Front. Svo, old French red moroco gilt, with the arms of David Pierre Perrinet, seigneur du Pezeau, general receiver of the finances of Flanders, stamped in gold on the centre of both covers, gilt edges, by DEROME (in the finest condition). Birmingham: John Baskerville, 1766

179. BINDING.--Goldsmith (Oliver). Histoire de François Wills. 12mo, old French red morocco extra, gilt lines on the sides, with the arms of KING LOUIS XV. of France stamped in gold on the centre of both covers, gilt back with the crowned interlaced monogram L repeated five times, gilt edges, by DEROME. Amsterdam, 1773

180. BINDING.-Missale Romanum ex decreto Sacrosancti Concilii Tridentini restitutum. Finely printed in red and black, with music noted on four lines, full-page copper-plates, woodcut initials, etc. Folio, splendidly bound in contemporary red velvet, with deep border of chased silver repoussé, and silver centerpiece, with arms of the Franciscan order on both covers, with silver clasps, gilt edges. Madrid, 1776

A magnificent missal. The massive silver borders are bold and rich, contrasting well with the deep crimson of the velvet. It was originally the property of a Franciscan monastery, as appears from the arms of the Franciscan order on both covers. 181. BINDING. - Hamburgischer nützlicher SchreibCalendar aufs 1779. Jahr. 64mo, contemporary German binding in pink silk, embroidered with gold thread and cord, and spangles, with a monogram surmounted by a marquis crown, embroidered on the centre of both covers, gilt edges. Hamburg [1778]

182. BINDING.-Palafox y Mendoza (J. de). Dell' eccellenze di S. Pietro. Fine engraved portraits of Pope Pius VI. 3 vols. 4to, contemporary Italian binding in red. morocco, gilt borders and ornaments on the sides, with the arms of KING CHARLES III. OF SPAIN stamped in gold and painted on the centre of all the covers, gilt backs, gilt edges. Roma, 1788' This work, originally written in Spanish, was translated into Italian, and published on the occasion of the canonization of its author. This copy was sumptuously bound for presentation to the King of Spain. In very fine condition.

183. BINDING.-4to, Italian red silk binding of the XVIIIth century, with borders and corner ornaments, and coat of arms on the centre of both covers, embroidered with gold thread (tarnished). XVIIIth Century

184. BINDING.-Persian binding in red morocco, with colored ornaments in relief on gold ground, doublé with white undressed calf, having beautiful and rich ornaments in gold and colors. Neatly framed and glazed.

End of the XVIIIth Century

One of the most beautiful specimens of the Persian art of bookbinding of the period.

185. BINDING.-Sienese binding of the XVth century. with paintings and ornaments on the sides on gold ground. Folio.

A perfect reproduction, made at Siena, of these famous and real rare bindings, which were painted by some of the best artists of the Sienese School for the books called of 'Biccherna.'

186. BLADES (WILLIAM). How to Tell a Caxton. Facsimile plates. 12mo, full straight-grained morocco, gilt-tooled back and inside borders, gilt top, by STIKEMAN. Lond. 1870

The Lefferts' copy with bookplate.

187. [BLAGRAVE (JOSEPH).] The Epitome of the Art of Husbandry, comprising all necessary Directions for the improvement of it, viz.: Plowing, Sowing, Grafting, Gardening, Ordering of Flowers, Directions for the best use of the Angle, etc., etc. By J. B., gent. With the finely engraved title by Shawin representing various methods of planting, reaping, etc. 12mo, full green crushed levant morocco, panelled sides, with corner ornaments, both having within the panels two medallions embossed and tooled in blind, representing men plowing and reaping wheat, gilt edges, by RIVIÈRE. Lond. 1669

* Pretty and unusual specimen of bookbinding. The author was in his day a noted astrologer, publishing several works on the subject. He lived at Swallowfield, near Reading.

With en

188. BLAKE (WILLIAM). Illustrations of the Book of Job, Invented and Engraved by William Blake. graved title and 21 plates by Blake, all brilliant impres

sions. Folio, original paper wrappers, with label, in morocco solander case. Lond.

Published as the Act directs March 8, 1825

* EXTREMELY RARE. The impressions in this, the first issue, are much superior to the edition of 1826. The address on the label on front cover is altered from Cirencester Place to Dorchester Terrace, Bayswater, in a contemporary hand, probably that of the author himself.

189. BLAKE (WILLIAM). The Works of William Blake: Poetic, Symbolic and Critical. Edited by E. J. Ellis and W. B. Yeats. With 3 portraits, and lithographs of the illustrated "Prophetic Books." 3 vols. imp. 8vo, half morocco, gilt tops, uncut. Lond. 1893

* LARGE PAPER, only a few copies printed. Now out of print and VERY SCARCE.

190. BLISS (FRANK E.) In Praise of Bishop Valentine. Compiled by Frank E. Bliss. Etched front. by Jacob Hood. 12mo, full crushed levant, gilt, with broad borders of forget-me-nots of blue levant gilt, back tooled and similarly inlaid, doublure of blue levant leather joints, watered silk end-papers, gilt top, uncut, by CURTIS WALTERS.

Printed for private circulation.

Lond. 1893

191. BLOMFIELD (REGINALD). A History of Renaissance Architecture in England, 1500-1800. With numerous plates and text illusts. by the author. 2 vols. imp. 8vo, cloth, gilt tops, uncut Lond. 1897

192. BLOCK-BOOK. Tafereelen uit het Leven van Jesus een handschrift van de XVe eeuw. Preface by C. B. Serrure. The original block-book, with its illuminated initials, cuts, borders, etc., reproduced in facsimile. PRINTED THROUGHOUT ON FINE VELLUM. Folio, full crimson levant morocco, gilt edges, Roger Payne style, by F. BEDFORD. Ghent, 1865 *One of the publications of the Maetschappy Vlaemsche Bibliophilen." Unique, on vellum.

193. BOCCACCIO (GIOVANNI). De Casibus Virorum Illustrium. Small folio, full olive straight-grained morocco gilt, gilt edges. [Strassburg: G. Husner, ca. 1474]

* Gothic character. 155 unnumbered leaves. Hain-Copinger, 3338; Proctor, 352. The rare FIRST EDITION. A very fine and large copy.

194. BOCCACCIO (GIOVANNI). Amorosa Visione. 8vo, half calf (much water-stained). Venetia: Giolito, 1549

195. BOCCACCIO (GIOVANNI). Il Decameron. 12mo, full light blue levant morocco extra, gilt lines on the sides, gilt-tooled back and inside borders, gilt edges, by RIVIÈRE. Amsterdam [à la Sphère, 1703]

196. BOCCACCIO (GIOVANNI). Modell of Witt, Mirth, Eloquence and Conversation. Framed in Ten Dayes, of an hundred curious pieces, by seven honorable ladies and three noble gentlemen. Preserved to posterity by the re