Æsthetic as Science of Expression and General LinguisticNoonday Press, 1966 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 136
... Italian literature at the end of the sixteenth century consist ? Simply in having nothing more to say and in repeating and exaggerating motives already discovered . If the Italians of this period had even been able to express their own ...
... Italian literature at the end of the sixteenth century consist ? Simply in having nothing more to say and in repeating and exaggerating motives already discovered . If the Italians of this period had even been able to express their own ...
Pagina 199
... Italian Ettori thinks that it may generally be described as " judgement regulated by art , " and Baruffaldi ( 1710 ) identifies it with “ dis- cernment " reduced from theory to practice . De Crousaz ( 1715 ) observes : " Le bon goût ...
... Italian Ettori thinks that it may generally be described as " judgement regulated by art , " and Baruffaldi ( 1710 ) identifies it with “ dis- cernment " reduced from theory to practice . De Crousaz ( 1715 ) observes : " Le bon goût ...
Pagina 440
... Italian Renaissance critics , while working at their Poetics in the style of Aristotle , found themselves confronted with chivalric poetry , and had to make the best of it ; this they did by assigning it to a kind of poem not foreseen ...
... Italian Renaissance critics , while working at their Poetics in the style of Aristotle , found themselves confronted with chivalric poetry , and had to make the best of it ; this they did by assigning it to a kind of poem not foreseen ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1953 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic ethical exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer word writers