Æsthetic as Science of Expression and General LinguisticNoonday Press, 1966 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 74
Pagina 34
... Given the Gerusalemme liberata , the allegory was imagined afterwards ; given the Adone of Marino , the poet of the lascivious afterwards insinuated that it was written to show how " immoderate indulgence ends in pain " ; given a statue ...
... Given the Gerusalemme liberata , the allegory was imagined afterwards ; given the Adone of Marino , the poet of the lascivious afterwards insinuated that it was written to show how " immoderate indulgence ends in pain " ; given a statue ...
Pagina 121
... given activity be judged by a different activity ? The critic may be a small genius , the artist a great one ; the former may have the strength of ten , the latter of a hundred ; the former , in order to reach a certain height , will ...
... given activity be judged by a different activity ? The critic may be a small genius , the artist a great one ; the former may have the strength of ten , the latter of a hundred ; the former , in order to reach a certain height , will ...
Pagina 275
... given concept : a representation conjoined with such truthful representation of particulars as to be unable to find for it any expression that may mark a determinate concept , thereby endowing the given concept with something of the ...
... given concept : a representation conjoined with such truthful representation of particulars as to be unable to find for it any expression that may mark a determinate concept , thereby endowing the given concept with something of the ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1953 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic ethical exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer word writers