Æsthetic as Science of Expression and General LinguisticNoonday Press, 1966 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 77
Pagina 160
... hand serve a rational end . Hence the search for the external end of art , which takes the place of the search for the essence or internal end . When art had been lowered to the level of a simple pleasurable illusion , an inebriation of ...
... hand serve a rational end . Hence the search for the external end of art , which takes the place of the search for the essence or internal end . When art had been lowered to the level of a simple pleasurable illusion , an inebriation of ...
Pagina 372
... hand with which Zimmermann first slips the characteristic into the relations of pure form , thereby entirely altering Herbart's original thought ; and how , by a second trick , he here introduces into pure beauty the variations and ...
... hand with which Zimmermann first slips the characteristic into the relations of pure form , thereby entirely altering Herbart's original thought ; and how , by a second trick , he here introduces into pure beauty the variations and ...
Pagina 373
... hand a delight comparable only with that felt by the ear when listening to the majestic fugues of Bach or the suave melodies of Mozart . " Vischer does not seem to be far wrong in declaring formalistic Esthetic to be " a grotesque union ...
... hand a delight comparable only with that felt by the ear when listening to the majestic fugues of Bach or the suave melodies of Mozart . " Vischer does not seem to be far wrong in declaring formalistic Esthetic to be " a grotesque union ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1953 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic ethical exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer word writers