Æsthetic as Science of Expression and General LinguisticNoonday Press, 1966 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 221
... mind . This Aphorism is the Principle of poetical sentences which are formed by the sense of passions and affections ; differing thereby from philo- sophical sentences which are formed by reflexion through ratiocination ; whence the ...
... mind . This Aphorism is the Principle of poetical sentences which are formed by the sense of passions and affections ; differing thereby from philo- sophical sentences which are formed by reflexion through ratiocination ; whence the ...
Pagina 331
... mind lightened and freed from a weight when we speak . " In the situation immediately preceding the production of speech man must be conceived as ac- companying all his sensations and all the intuitions received by his mind with the ...
... mind lightened and freed from a weight when we speak . " In the situation immediately preceding the production of speech man must be conceived as ac- companying all his sensations and all the intuitions received by his mind with the ...
Pagina 366
... mind of the artist : such as the content is , such is the form . " 3 Between form and content there is at the same time identity and diver- sity . In a work of art the content , which had been lying in a chaotic state in the mind of the ...
... mind of the artist : such as the content is , such is the form . " 3 Between form and content there is at the same time identity and diver- sity . In a work of art the content , which had been lying in a chaotic state in the mind of the ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1953 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic ethical exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer word writers