Ęsthetic as Science of Expression and General LinguisticNoonday Press, 1966 - 503 pagine |
Dall'interno del libro
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Pagina 229
... principle of ellipsis , and trying thereby , though without success , to vindicate the logical principles of Aristotle , fell into the most cumbrous clumsinesses among an almost in- numerable host of Latin phrases whereby he meant to ...
... principle of ellipsis , and trying thereby , though without success , to vindicate the logical principles of Aristotle , fell into the most cumbrous clumsinesses among an almost in- numerable host of Latin phrases whereby he meant to ...
Pagina 257
... Principle , in which the author attempted a unifica- tion of all the different rules laid down by the writers of treatises . All such rules ( says Batteux ) are branches emerging from one trunk ; he who possesses the simple principle ...
... Principle , in which the author attempted a unifica- tion of all the different rules laid down by the writers of treatises . All such rules ( says Batteux ) are branches emerging from one trunk ; he who possesses the simple principle ...
Pagina 353
... principle by asserting that all other characters ( order , harmony , proportion , symmetry , simplicity , unity and variety ) have significance only by their subordination to the principle of expression.2 In opposition to Malaspina's ...
... principle by asserting that all other characters ( order , harmony , proportion , symmetry , simplicity , unity and variety ) have significance only by their subordination to the principle of expression.2 In opposition to Malaspina's ...
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abstract ęsthetic activity ęsthetic fact ęstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reality reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer word writers