Ęsthetic as Science of Expression and General LinguisticNoonday Press, 1966 - 503 pagine |
Dall'interno del libro
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Pagina 3
... reality , the apprehension of something as real . Certainly perception is intuition : the perceptions of the room in ... reality and non - reality is extraneous , secondary , to the true nature of intuition . If we imagine a human ...
... reality , the apprehension of something as real . Certainly perception is intuition : the perceptions of the room in ... reality and non - reality is extraneous , secondary , to the true nature of intuition . If we imagine a human ...
Pagina 4
... reality only , that is to say , that it could have perceptions of nothing but the real . But since knowledge of reality is based upon the distinction between real images and unreal images , and since this distinction does not at the ...
... reality only , that is to say , that it could have perceptions of nothing but the real . But since knowledge of reality is based upon the distinction between real images and unreal images , and since this distinction does not at the ...
Pagina 18
... reality as such , be ex- cluded from the sphere of art , there remains no other content than reality apprehended in all its ingenuousness and immediacy in the vital impulse , in its feeling , that is to say again , pure intuition . The ...
... reality as such , be ex- cluded from the sphere of art , there remains no other content than reality apprehended in all its ingenuousness and immediacy in the vital impulse , in its feeling , that is to say again , pure intuition . The ...
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abstract ęsthetic activity ęsthetic fact ęstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reality reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer word writers