Ęsthetic as Science of Expression and General LinguisticNoonday Press, 1966 - 503 pagine |
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Pagina 167
... soul must purify itself , in order to perceive the beautiful , and make the power of the Idea that lies in it efficacious . Moderation , strength , prudence , and every other virtue , what else are they , according to the oracle , but ...
... soul must purify itself , in order to perceive the beautiful , and make the power of the Idea that lies in it efficacious . Moderation , strength , prudence , and every other virtue , what else are they , according to the oracle , but ...
Pagina 269
... soul finds those characteristics which wholly converge upon the matter which the work of art claims to represent , it judges that work beautiful . The same is true of the works of nature if the soul perceives a man of fine proportions ...
... soul finds those characteristics which wholly converge upon the matter which the work of art claims to represent , it judges that work beautiful . The same is true of the works of nature if the soul perceives a man of fine proportions ...
Pagina 394
... soul without body ( thesis ) ; under the Renaissance , in Verrocchio's pictures , body without soul ( antithesis ) ; in the sixteenth century , in Raphael , there is harmony of expression and anatomy , soul and body ( synthesis ) .3 The ...
... soul without body ( thesis ) ; under the Renaissance , in Verrocchio's pictures , body without soul ( antithesis ) ; in the sixteenth century , in Raphael , there is harmony of expression and anatomy , soul and body ( synthesis ) .3 The ...
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abstract ęsthetic activity ęsthetic fact ęstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reality reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer word writers