Problems of Art: Ten Philosophical LecturesScribner, 1957 - 184 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 5
... dancers do , yet it is something else . In watching a dance , you do not see what is physically before you - people running around or twist- ing their bodies ; what you see is a display of interacting forces , by which the dance seems ...
... dancers do , yet it is something else . In watching a dance , you do not see what is physically before you - people running around or twist- ing their bodies ; what you see is a display of interacting forces , by which the dance seems ...
Pagina 6
... dance , they disappear ; the more perfect the dance , the less we see its actualities . What we see , hear , and feel are the virtual realities , the moving forces of ... dancers feel . It belongs to the dance itself . A 6 PROBLEMS OF ART.
... dance , they disappear ; the more perfect the dance , the less we see its actualities . What we see , hear , and feel are the virtual realities , the moving forces of ... dancers feel . It belongs to the dance itself . A 6 PROBLEMS OF ART.
Pagina 11
... dance , remarks in his World History of Dance that , strange as it may seem , the evolution of the dance as a high art belongs to pre - history . At the dawn of civiliza- tion , dance had already reached a degree of perfection that no ...
... dance , remarks in his World History of Dance that , strange as it may seem , the evolution of the dance as a high art belongs to pre - history . At the dawn of civiliza- tion , dance had already reached a degree of perfection that no ...
Sommario
PREFACE vii | 1 |
RELATIONSHIPS AMONG THE Arts | 75 |
IMITATION AND TRANFORMATION IN THE ARTS | 90 |
Copyright | |
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Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Parole e frasi comuni
abstraction achieved actual appearance Aristotle art symbol articulation artistic perception beauty Cecil Day Lewis Clive Bell color complex composition connotation convey creation Curt Sachs dance denotation devices discursive distinct dynamic form effect elements emotion Ernest Nagel experience expressive form fact formulative function idea illusion imagination imitation import insight intuition intuitive knowledge Irwin Edman language lines literal living form logical form material meaning melody ment metaphor motion names nature normal object organic painting pattern perceive philosophical physical pictorial space picture plastic art poem poet poetic poetry present primary apparition primitive principles of art problem pure reality reason relations rhythmic rhythms Roger Fry sculpture seems semanticists semantics sense sensuous sentience shape significant form simply sometimes sonata form song sound statement structure subjective T. S. Eliot theory things thought tion tonal tones unity usually virtual space visual vital whole words