Problems of Art: Ten Philosophical LecturesScribner, 1957 - 184 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 66
... insight achieved by reasoning and insight immediately enjoyed , but that is no opposition between two radically different powers of the mind . What I mean by intuition is essentially what Locke called " natural light " ( with , possibly ...
... insight achieved by reasoning and insight immediately enjoyed , but that is no opposition between two radically different powers of the mind . What I mean by intuition is essentially what Locke called " natural light " ( with , possibly ...
Pagina 69
... insight and artistic insight lies in the ways intuition is elicited . We need not postulate any mysteri- .ous factor in the mind or in the world to admit that artistic perception is directly intuitive , incommunicable , yet rational ...
... insight and artistic insight lies in the ways intuition is elicited . We need not postulate any mysteri- .ous factor in the mind or in the world to admit that artistic perception is directly intuitive , incommunicable , yet rational ...
Pagina 182
... insight , 92 , 96 intuition , 60-67 , 166 James , Henry , 48 James , William , 70 Joyce , James , 109 Kant , Immanuel , 61 , 149 Keats , John , quoted , 101 , 152 ; 153 Lake Poets , 138 language , 8 , 21-24 , 33 , 67-68 , 70-71 , 91-94 ...
... insight , 92 , 96 intuition , 60-67 , 166 James , Henry , 48 James , William , 70 Joyce , James , 109 Kant , Immanuel , 61 , 149 Keats , John , quoted , 101 , 152 ; 153 Lake Poets , 138 language , 8 , 21-24 , 33 , 67-68 , 70-71 , 91-94 ...
Sommario
PREFACE vii | 1 |
RELATIONSHIPS AMONG THE Arts | 75 |
IMITATION AND TRANFORMATION IN THE ARTS | 90 |
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Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Parole e frasi comuni
abstraction achieved actual appearance Aristotle art symbol articulation artistic perception beauty Cecil Day Lewis Clive Bell color complex composition connotation convey creation Curt Sachs dance denotation devices discursive distinct dynamic form effect elements emotion Ernest Nagel experience expressive form fact formulative function idea illusion imagination imitation import insight intuition intuitive knowledge Irwin Edman language lines literal living form logical form material meaning melody ment metaphor motion names nature normal object organic painting pattern perceive philosophical physical pictorial space picture plastic art poem poet poetic poetry present primary apparition primitive principles of art problem pure reality reason relations rhythmic rhythms Roger Fry sculpture seems semanticists semantics sense sensuous sentience shape significant form simply sometimes sonata form song sound statement structure subjective T. S. Eliot theory things thought tion tonal tones unity usually virtual space visual vital whole words