Problems of Art: Ten Philosophical LecturesScribner, 1957 - 184 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 5
... seems to be lifted , driven , drawn , closed , or attenuated , whether it be solo or choric , whirling like the end of a dervish dance , or slow , centered , and single in its motion . One human body may put the whole play of mysterious ...
... seems to be lifted , driven , drawn , closed , or attenuated , whether it be solo or choric , whirling like the end of a dervish dance , or slow , centered , and single in its motion . One human body may put the whole play of mysterious ...
Pagina 20
... seems to be a deeply intuitive process in the human brain ; it is so natu- ral that we often have difficulty in distinguishing the sym- bolic expressive form from what it conveys . The symbol seems to be the thing itself , or contain it ...
... seems to be a deeply intuitive process in the human brain ; it is so natu- ral that we often have difficulty in distinguishing the sym- bolic expressive form from what it conveys . The symbol seems to be the thing itself , or contain it ...
Pagina 101
... seems it rich to die , To cease upon the midnight with no pain , While thou art pouring forth thy soul abroad In such an ecstasy ! " Oddly enough , when we consider the onomatopoetic line- " pouring forth thy soul abroad " —there is no ...
... seems it rich to die , To cease upon the midnight with no pain , While thou art pouring forth thy soul abroad In such an ecstasy ! " Oddly enough , when we consider the onomatopoetic line- " pouring forth thy soul abroad " —there is no ...
Sommario
PREFACE vii | 1 |
RELATIONSHIPS AMONG THE Arts | 75 |
IMITATION AND TRANFORMATION IN THE ARTS | 90 |
Copyright | |
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Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Parole e frasi comuni
abstraction achieved actual appearance Aristotle art symbol articulation artistic perception beauty Cecil Day Lewis Clive Bell color complex composition connotation convey creation Curt Sachs dance denotation devices discursive distinct dynamic form effect elements emotion Ernest Nagel experience expressive form fact formulative function idea illusion imagination imitation import insight intuition intuitive knowledge Irwin Edman language lines literal living form logical form material meaning melody ment metaphor motion names nature normal object organic painting pattern perceive philosophical physical pictorial space picture plastic art poem poet poetic poetry present primary apparition primitive principles of art problem pure reality reason relations rhythmic rhythms Roger Fry sculpture seems semanticists semantics sense sensuous sentience shape significant form simply sometimes sonata form song sound statement structure subjective T. S. Eliot theory things thought tion tonal tones unity usually virtual space visual vital whole words