Problems of Art: Ten Philosophical LecturesScribner, 1957 - 184 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 7
... subjective ex- periences come and go - their rise and growth , their intricate synthesis that gives our inner life unity and personal identity . What we call a person's " inner life " is the inside story of his own history ; the way ...
... subjective ex- periences come and go - their rise and growth , their intricate synthesis that gives our inner life unity and personal identity . What we call a person's " inner life " is the inside story of his own history ; the way ...
Pagina 9
... subjective " process ? It means to make an outward image of this inward process , for oneself and others to see ; that is , to give the subjective events an objective symbol . Every work of art is such an image , whether it be a dance ...
... subjective " process ? It means to make an outward image of this inward process , for oneself and others to see ; that is , to give the subjective events an objective symbol . Every work of art is such an image , whether it be a dance ...
Pagina 24
... subjective reality for contemplation is not only tentatively beyond the reach of language — that is , not merely beyond the words we have ; it is impossible in the essential frame of language . That is why those semanticists who ...
... subjective reality for contemplation is not only tentatively beyond the reach of language — that is , not merely beyond the words we have ; it is impossible in the essential frame of language . That is why those semanticists who ...
Sommario
PREFACE vii | 1 |
RELATIONSHIPS AMONG THE Arts | 75 |
IMITATION AND TRANFORMATION IN THE ARTS | 90 |
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Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Parole e frasi comuni
abstraction achieved actual appearance Aristotle art symbol articulation artistic perception beauty Cecil Day Lewis Clive Bell color complex composition connotation convey creation Curt Sachs dance denotation devices discursive distinct dynamic form effect elements emotion Ernest Nagel experience expressive form fact formulative function idea illusion imagination imitation import insight intuition intuitive knowledge Irwin Edman language lines literal living form logical form material meaning melody ment metaphor motion names nature normal object organic painting pattern perceive philosophical physical pictorial space picture plastic art poem poet poetic poetry present primary apparition primitive principles of art problem pure reality reason relations rhythmic rhythms Roger Fry sculpture seems semanticists semantics sense sensuous sentience shape significant form simply sometimes sonata form song sound statement structure subjective T. S. Eliot theory things thought tion tonal tones unity usually virtual space visual vital whole words