Essays, Letters from Abroad

Copertina anteriore
General Books, 2013 - 142 pagine
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1845 edition. Excerpt: ... answer each time--" Not quite half way." The wind was violent and contrary; if we could not reach Calais, the sailors proposed making for Boulogne. They promised only two hours' sail from shore, yet hour after hour passed, and we were still far distant, when the moon sunk in the red and stormy horizon, and the fast-flashing lightning became pale in the breaking day. We were proceeding slowly against the wind, when suddenly a thunder-squall struck the sail, and the waves rushed into the boat: even the sailors acknowledged that our situation was perilous; but they succeeded in reefing the sail;--the wind was now changed, and we drove before the gale directly to Calais. As we entered the harbour I awoke from a comfortless sleep, and saw the sun rise broad, red, and cloudless over the pier. FRANCE. Exhausted with sickness and fatigue, I walked over the sand with my companions to the hotel. I heard for the first time the confused buzz of voices speaking a different language from that to which I had been accustomed; and saw a costume very unlike that worn on the opposite side of the Channel; the women with high caps and short jackets; the men with ear-rings; ladies walking about with high bonnets or coiffures lodged on the top of the head, the hair dragged up underneath, without any stray curls to decorate the temples or cheeks. There is, however, something very pleasing in the manners and appearance of the people of Calais, that prepossesses you in their favour. A national reflection might occur, that when Edward III. took Calais, he turned out the old inhabitants, and peopled it almost entirely with our own countrymen; but, unfortunately, the manners are not English. We remained during that day and the greater part of the next at...

Altre edizioni - Visualizza tutto

Informazioni sull'autore (2013)

Born in Field Place, near Horsham in Sussex, Shelley was educated at Syon House Academy and Eton, where he acquired the sobriquet "Mad Shelley" for his independent spirit. While at Eton he published Zastrozzi (1810), a Gothic novel. Expelled from Oxford because he refused to retract his atheistic beliefs, Shelley quarreled with his wealthy father and was banished from home. Shelley married impulsively and then abandoned his young wife to run off to Italy with the 16-year-old Mary Wollstonecraft Godwin (the daughter of the radical feminist and the anarchist philosopher, who was eventually to write Frankenstein). While in Italy, Shelley became close friends with Byron, and the two became objects of endless, notorious rumor. Shelley's personal character was revered by almost everyone who knew him. Extremely generous toward others, frugal with himself, he strove tirelessly for the betterment of humanity. Prometheus Unbound (1820), a lyrical drama in four acts, calls for the regeneration of society through love and for the destruction of all repressive institutions. The Cenci (1819), a verse drama based on real events, is one of the few plays from the romantic period still produced. Shelley's lyrics are marvelously varied and rich in sound and rhythm. Wordsworth regarded him as the best artist among living poets.Adonais (1821), written to honor the memory of John Keats, is one of the supreme elegies in English.The Triumph of Life, which was left incomplete at his death, has been hailed by T. S. Eliot as the nearest approach in English to Dante (see Vol. 2). The "Ode to the West Wind" and "To a Skylark" are anthologized everywhere. Shelley's early death by drowning ended his career just as it was coming into full flower. A revolutionary in his art and life, Shelley is considered by many to be an inspired polemicist and poetic genius. As one of his contemporaries wrote in Etonian (1821), "He is one of the many whom we cannot read without wonder, or without pain...."

Informazioni bibliografiche