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abstract aesthetic activity aesthetic fact aestheticians affirmation ancient appear Aristotle Asth Asthetih Baumgarten beautiful called century character cognition colours comic concept confused connexion consciousness criticism Critique of Judgment Danzel definition distinct distinguished doctrine empirical error exist expression external faculty feeling figurative arts genius Giambattista Vico grammar hedonism hedonistic Hegel human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant knowledge language Leibniz Linguistic logical matter means metaphysical mimesis moral Naples nature neo-Platonism object observations painting Patrizzi perfection philo philosophical Philostratus Plato pleasure Plotinus poesie poet poetic poetica poetry practical principle problem produced pure reason recognize reflexion relation representation reproduction Rhetoric Schiller scientific Scienza nuova sec sensation sense sensible Solger sometimes soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Winckelmann words writers
Pagina 204 - The mind, without looking any further, rests satisfied with the agreeableness of the picture and the gaiety of the fancy. And it is a kind of affront to go about to examine it, by the severe rules of truth and good reason; whereby it appears that it consists in something that is not perfectly conformable to them.
Pagina 18 - He who conceives a tragedy puts into a crucible a great quantity, so to say, of impressions: expressions themselves, conceived on other occasions, are fused together with the new in a single mass, in the same way as we can cast into a melting furnace formless pieces of bronze and choicest statuettes. Those choicest statuettes must be melted just like the pieces of bronze, before there can be a new statue. The old expressions must descend again to the level of impressions, in order to be synthesized...
Pagina 6 - Every true intuition or representation is also expression. That which does not objectify itself in expression is not intuition or representation, but sensation and mere natural fact.
Pagina 4 - Some affirm that they have never observed in themselves this "miraculous" activity, as though there were no difference, or only one of quantity, between sweating and thinking, feeling cold and the energy of the will. Others, certainly with greater reason, would unify activity and mechanism in a more general concept, though they are specifically distinct. Let us, however, refrain for the moment from examining if such a final unification be possible, and in what sense, but admitting that the attempt...
Pagina 439 - Que si él, en muchas partes de sus escritos, dice que el no guardar el arte antiguo lo hace por conformarse con el gusto de la plebe — que nunca consintió el freno de las leyes y preceptos — , dícelo por su natural modestia y porque no atribuya la malicia ignorante a arrogancia lo que es política perfección.
Pagina 67 - Here, for instance, it may be asked how an ornament can be joined to expression. Externally ? In that case, either it does not assist the expression and mars it ; or it does form part of it and is not an ornament, but a constituent element of the expression, indivisible and indistinguishable in its unity.
Pagina 5 - Here a double meaning is concealed in the word "association." Association is understood, either as memory, mnemonic association, conscious recollection, and in that case the claim to unite in memory elements which are not intuited, distinguished, possessed in some way by the spirit and produced by consciousness, seems inconceivable: or it is understood as association of unconscious elements, in which case we remain in the world of sensation and of nature. But if with certain associationists we speak...
Pagina 8 - One paints, not with the hands, but with the brain." Leonardo shocked the prior of the Convent of the Graces by standing for days together gazing at the "Last Supper," without touching it with the brush. He remarked of this attitude: "The minds of men of lofty genius are most active in invention when they are doing the least external work.
Pagina 7 - One often hears people say that they have many great thoughts in their minds, but that they are not able to express them. But if they really had them, they would have coined them into just so many beautiful, sounding words, and thus have expressed them.
Pagina 12 - It were better to change poeta nascitur into homo nascitur poeta: some men are born great poets, some small. The cult of the genius with all its attendant superstitions has arisen from this quantitative difference having been taken as a difference of quality. It has been forgotten that genius is not something that has fallen from heaven, but humanity itself.