Aesthetic as Science of Expression and General LinguisticMacmillan and Company, limited, 1922 - 503 pagine |
Dall'interno del libro
Risultati 1-5 di 63
Pagina xvii
... ancient sense - Criticism from moral point of view— Accumulation without system - Its fortunes in the Middle Ages and Renaissance - Criticisms by Vives , Ramus and Patrizzi - Sur- vival into modern times - Modern signification of ...
... ancient sense - Criticism from moral point of view— Accumulation without system - Its fortunes in the Middle Ages and Renaissance - Criticisms by Vives , Ramus and Patrizzi - Sur- vival into modern times - Modern signification of ...
Pagina 1
... ancient science of intellectual knowledge , admitted by all without discussion , namely , Logic ; but a science of intuitive knowledge is timidly and with difficulty asserted by but a few . Logical knowledge has appropriated the lion's ...
... ancient science of intellectual knowledge , admitted by all without discussion , namely , Logic ; but a science of intuitive knowledge is timidly and with difficulty asserted by but a few . Logical knowledge has appropriated the lion's ...
Pagina 82
... ancient con- ceives the beautiful as that which pleases sight and hearing , that is to say , the so - called higher senses . When analysis of ęsthetic facts first began , it was , indeed , difficult to avoid the false belief that a ...
... ancient con- ceives the beautiful as that which pleases sight and hearing , that is to say , the so - called higher senses . When analysis of ęsthetic facts first began , it was , indeed , difficult to avoid the false belief that a ...
Pagina 122
... ancient adage that there is no accounting for tastes , they believe that ęsthetic expression is of the same nature as the pleasant and the unpleasant , which every one feels in his own way , and about which there is no dispute . But we ...
... ancient adage that there is no accounting for tastes , they believe that ęsthetic expression is of the same nature as the pleasant and the unpleasant , which every one feels in his own way , and about which there is no dispute . But we ...
Pagina 127
... ancient , artistic fancies instead of historical reproductions . The so - called " fascination of the past " depends in part upon these expressions of ours , which we weave upon the historical . Thus has been discovered in Greek plastic ...
... ancient , artistic fancies instead of historical reproductions . The so - called " fascination of the past " depends in part upon these expressions of ours , which we weave upon the historical . Thus has been discovered in Greek plastic ...
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Altre edizioni - Visualizza tutto
Esthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Ęsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract ęsthetic activity ęsthetic fact ęstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten Benedetto Croce called century character cognition colours comic concept concrete consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic ethical exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer word writers
Brani popolari
Pagina 206 - The mind, without looking any further, rests satisfied with the agreeableness of the picture and the gaiety of the fancy. And it is a kind of affront to go about to examine it, by the severe rules of truth and good reason; whereby it appears that it consists in something that is not perfectly conformable to them.
Pagina 20 - He who conceives a tragedy puts into a crucible a great quantity, so to say, of impressions: expressions themselves, conceived on other occasions, are fused together with the new in a single mass, in the same way as we can cast into a melting furnace formless pieces of bronze and choicest statuettes. Those choicest statuettes must be melted just like the pieces of bronze, before there can be a new statue. The old expressions must descend again to the level of impressions, in order to be synthesized...
Pagina 8 - Every true intuition or representation is also expression. That which does not objectify itself in expression is not intuition or representation, but sensation and mere natural fact.
Pagina 6 - Some affirm that they have never observed in themselves this "miraculous" activity, as though there were no difference, or only one of quantity, between sweating and thinking, feeling cold and the energy of the will. Others, certainly with greater reason, would unify activity and mechanism in a more general concept, though they are specifically distinct. Let us, however, refrain for the moment from examining if such a final unification be possible, and in what sense, but admitting that the attempt...
Pagina 441 - Que si él, en muchas partes de sus escritos, dice que el no guardar el arte antiguo lo hace por conformarse con el gusto de la plebe — que nunca consintió el freno de las leyes y preceptos — , dķcelo por su natural modestia y porque no atribuya la malicia ignorante a arrogancia lo que es polķtica perfección.
Pagina 69 - Here, for instance, it may be asked how an ornament can be joined to expression. Externally ? In that case, either it does not assist the expression and mars it ; or it does form part of it and is not an ornament, but a constituent element of the expression, indivisible and indistinguishable in its unity.
Pagina 7 - Here a double meaning is concealed in the word "association." Association is understood, either as memory, mnemonic association, conscious recollection, and in that case the claim to unite in memory elements which are not intuited, distinguished, possessed in some way by the spirit and produced by consciousness, seems inconceivable: or it is understood as association of unconscious elements, in which case we remain in the world of sensation and of nature. But if with certain associationists we speak...
Pagina 10 - One paints, not with the hands, but with the brain." Leonardo shocked the prior of the Convent of the Graces by standing for days together gazing at the "Last Supper," without touching it with the brush. He remarked of this attitude: "The minds of men of lofty genius are most active in invention when they are doing the least external work.
Pagina 9 - One often hears people say that they have many great thoughts in their minds, but that they are not able to express them. But if they really had them, they would have coined them into just so many beautiful, sounding words, and thus have expressed them.
Pagina 14 - It were better to change poeta nascitur into homo nascitur poeta: some men are born great poets, some small. The cult of the genius with all its attendant superstitions has arisen from this quantitative difference having been taken as a difference of quality. It has been forgotten that genius is not something that has fallen from heaven, but humanity itself.