Aesthetic as Science of Expression and General Linguistic |
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Pagina vii
... of art conceived as a fact of feeling , not a theoretical fact - Æsthetic
appearance , and feeling - Criticism of the theory of æsthetic senses — Unity and
indivisibility of the work of art -- Art as liberator 12 III ART AND PHILOSOPHY
Inseparability ...
... of art conceived as a fact of feeling , not a theoretical fact - Æsthetic
appearance , and feeling - Criticism of the theory of æsthetic senses — Unity and
indivisibility of the work of art -- Art as liberator 12 III ART AND PHILOSOPHY
Inseparability ...
Pagina ix
67 X ÆSTHETIC FEELINGS AND THE DISTINCTION BETWEEN THE
BEAUTIFUL AND THE UGLY Various significations of the word feeling - Feeling
as activity - Identification of feeling with economic activity - Criticism of
hedonismFeeling as ...
67 X ÆSTHETIC FEELINGS AND THE DISTINCTION BETWEEN THE
BEAUTIFUL AND THE UGLY Various significations of the word feeling - Feeling
as activity - Identification of feeling with economic activity - Criticism of
hedonismFeeling as ...
Pagina xii
... SEVENTEENTH CENTURY New words and new observations in the
seventeenth century - WitTaste --Various meanings of the word taste - Fancy or
imagination PAGE - Feeling— Tendency to unite these terms — Difficulties xii
ÆSTHETIC.
... SEVENTEENTH CENTURY New words and new observations in the
seventeenth century - WitTaste --Various meanings of the word taste - Fancy or
imagination PAGE - Feeling— Tendency to unite these terms — Difficulties xii
ÆSTHETIC.
Pagina xiii
PAGE - Feeling— Tendency to unite these terms — Difficulties and contradictions
in their definition - Wit and intellect — Taste and intellectual judgement — The " je
ne sais quoi ” —Imagination and sensationalism : the corrective of imagination ...
PAGE - Feeling— Tendency to unite these terms — Difficulties and contradictions
in their definition - Wit and intellect — Taste and intellectual judgement — The " je
ne sais quoi ” —Imagination and sensationalism : the corrective of imagination ...
Pagina xv
... Difference of artistic consciousness from feeling and religion - Dreams and art :
inspiration and deliberation - Art and the typical — Independence of art - Art and
language - Schleiermacher's defects - Schleiermacher's services to Æsthetic .
... Difference of artistic consciousness from feeling and religion - Dreams and art :
inspiration and deliberation - Art and the typical — Independence of art - Art and
language - Schleiermacher's defects - Schleiermacher's services to Æsthetic .
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side simple sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various whole writers
Brani popolari
Pagina 206 - The mind, without looking any further, rests satisfied with the agreeableness of the picture and the gaiety of the fancy. And it is a kind of affront to go about to examine it, by the severe rules of truth and good reason; whereby it appears that it consists in something that is not perfectly conformable to them.
Pagina 20 - He who conceives a tragedy puts into a crucible a great quantity, so to say, of impressions: expressions themselves, conceived on other occasions, are fused together with the new in a single mass, in the same way as we can cast into a melting furnace formless pieces of bronze and choicest statuettes. Those choicest statuettes must be melted just like the pieces of bronze, before there can be a new statue. The old expressions must descend again to the level of impressions, in order to be synthesized...
Pagina 8 - Every true intuition or representation is also expression. That which does not objectify itself in expression is not intuition or representation, but sensation and mere natural fact.
Pagina 6 - Some affirm that they have never observed in themselves this "miraculous" activity, as though there were no difference, or only one of quantity, between sweating and thinking, feeling cold and the energy of the will. Others, certainly with greater reason, would unify activity and mechanism in a more general concept, though they are specifically distinct. Let us, however, refrain for the moment from examining if such a final unification be possible, and in what sense, but admitting that the attempt...
Pagina 441 - Que si él, en muchas partes de sus escritos, dice que el no guardar el arte antiguo lo hace por conformarse con el gusto de la plebe — que nunca consintió el freno de las leyes y preceptos — , dícelo por su natural modestia y porque no atribuya la malicia ignorante a arrogancia lo que es política perfección.
Pagina 69 - Here, for instance, it may be asked how an ornament can be joined to expression. Externally ? In that case, either it does not assist the expression and mars it ; or it does form part of it and is not an ornament, but a constituent element of the expression, indivisible and indistinguishable in its unity.
Pagina 7 - Here a double meaning is concealed in the word "association." Association is understood, either as memory, mnemonic association, conscious recollection, and in that case the claim to unite in memory elements which are not intuited, distinguished, possessed in some way by the spirit and produced by consciousness, seems inconceivable: or it is understood as association of unconscious elements, in which case we remain in the world of sensation and of nature. But if with certain associationists we speak...
Pagina 10 - One paints, not with the hands, but with the brain." Leonardo shocked the prior of the Convent of the Graces by standing for days together gazing at the "Last Supper," without touching it with the brush. He remarked of this attitude: "The minds of men of lofty genius are most active in invention when they are doing the least external work.
Pagina 9 - One often hears people say that they have many great thoughts in their minds, but that they are not able to express them. But if they really had them, they would have coined them into just so many beautiful, sounding words, and thus have expressed them.
Pagina 14 - It were better to change poeta nascitur into homo nascitur poeta: some men are born great poets, some small. The cult of the genius with all its attendant superstitions has arisen from this quantitative difference having been taken as a difference of quality. It has been forgotten that genius is not something that has fallen from heaven, but humanity itself.
Informazioni bibliografiche
| Titolo | Aesthetic as Science of Expression and General Linguistic Volume 1 di Filosofia come scienza dello spirito, Benedetto Croce |
| Autore | Benedetto Croce |
| tradotto da | Douglas Ainslie |
| Edizione | 2 |
| Editore | Macmillan, 1922 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 6 mar 2007 |
| Lunghezza | 503 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |