Aesthetic as Science of Expression and General Linguistic |
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Pagina 82
One of the most ancient conpleases the ceives the beautiful as that which
pleases sight and hearing , higher senses . that is ... Any one who holds that the
æsthetic fact is something pleasing to the eyes or to the hearing , has no line of
defence ...
One of the most ancient conpleases the ceives the beautiful as that which
pleases sight and hearing , higher senses . that is ... Any one who holds that the
æsthetic fact is something pleasing to the eyes or to the hearing , has no line of
defence ...
Pagina 84
But the sympathetic is nothing and form . but the image or representation of what
pleases . And as such it is a complex fact , resulting from a constant element , the
æsthetic element of representation , and a variable element , the pleasing in its ...
But the sympathetic is nothing and form . but the image or representation of what
pleases . And as such it is a complex fact , resulting from a constant element , the
æsthetic element of representation , and a variable element , the pleasing in its ...
Pagina 92
... but to every spiritual process ; such as the succession of painful and pleasing
moments and the satisfaction arising from the consciousness of strength and of
its free expansion . The differentiation is here given by quantitative
determinations ...
... but to every spiritual process ; such as the succession of painful and pleasing
moments and the satisfaction arising from the consciousness of strength and of
its free expansion . The differentiation is here given by quantitative
determinations ...
Pagina 107
... the beauty of geometry , like others analogous as to the historically beautiful
and human beauty , seem less absurd in the Æsthetic of the sympathetic , which
really means by the words “ æsthetic beauty " the representation of the pleasing .
... the beauty of geometry , like others analogous as to the historically beautiful
and human beauty , seem less absurd in the Æsthetic of the sympathetic , which
really means by the words “ æsthetic beauty " the representation of the pleasing .
Pagina 165
In the scanty references which he makes to it , he at one time confounds the
beautiful with the good , defining it as that which is both good and pleasing ; ? at
another he notes that the good consists of action ( év zpátei ) and the beautiful
also in ...
In the scanty references which he makes to it , he at one time confounds the
beautiful with the good , defining it as that which is both good and pleasing ; ? at
another he notes that the good consists of action ( év zpátei ) and the beautiful
also in ...
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side simple sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various whole writers
Brani popolari
Pagina 206 - The mind, without looking any further, rests satisfied with the agreeableness of the picture and the gaiety of the fancy. And it is a kind of affront to go about to examine it, by the severe rules of truth and good reason; whereby it appears that it consists in something that is not perfectly conformable to them.
Pagina 20 - He who conceives a tragedy puts into a crucible a great quantity, so to say, of impressions: expressions themselves, conceived on other occasions, are fused together with the new in a single mass, in the same way as we can cast into a melting furnace formless pieces of bronze and choicest statuettes. Those choicest statuettes must be melted just like the pieces of bronze, before there can be a new statue. The old expressions must descend again to the level of impressions, in order to be synthesized...
Pagina 8 - Every true intuition or representation is also expression. That which does not objectify itself in expression is not intuition or representation, but sensation and mere natural fact.
Pagina 6 - Some affirm that they have never observed in themselves this "miraculous" activity, as though there were no difference, or only one of quantity, between sweating and thinking, feeling cold and the energy of the will. Others, certainly with greater reason, would unify activity and mechanism in a more general concept, though they are specifically distinct. Let us, however, refrain for the moment from examining if such a final unification be possible, and in what sense, but admitting that the attempt...
Pagina 441 - Que si él, en muchas partes de sus escritos, dice que el no guardar el arte antiguo lo hace por conformarse con el gusto de la plebe — que nunca consintió el freno de las leyes y preceptos — , dícelo por su natural modestia y porque no atribuya la malicia ignorante a arrogancia lo que es política perfección.
Pagina 69 - Here, for instance, it may be asked how an ornament can be joined to expression. Externally ? In that case, either it does not assist the expression and mars it ; or it does form part of it and is not an ornament, but a constituent element of the expression, indivisible and indistinguishable in its unity.
Pagina 7 - Here a double meaning is concealed in the word "association." Association is understood, either as memory, mnemonic association, conscious recollection, and in that case the claim to unite in memory elements which are not intuited, distinguished, possessed in some way by the spirit and produced by consciousness, seems inconceivable: or it is understood as association of unconscious elements, in which case we remain in the world of sensation and of nature. But if with certain associationists we speak...
Pagina 10 - One paints, not with the hands, but with the brain." Leonardo shocked the prior of the Convent of the Graces by standing for days together gazing at the "Last Supper," without touching it with the brush. He remarked of this attitude: "The minds of men of lofty genius are most active in invention when they are doing the least external work.
Pagina 9 - One often hears people say that they have many great thoughts in their minds, but that they are not able to express them. But if they really had them, they would have coined them into just so many beautiful, sounding words, and thus have expressed them.
Pagina 14 - It were better to change poeta nascitur into homo nascitur poeta: some men are born great poets, some small. The cult of the genius with all its attendant superstitions has arisen from this quantitative difference having been taken as a difference of quality. It has been forgotten that genius is not something that has fallen from heaven, but humanity itself.
Informazioni bibliografiche
| Titolo | Aesthetic as Science of Expression and General Linguistic Volume 1 di Filosofia come scienza dello spirito, Benedetto Croce |
| Autore | Benedetto Croce |
| tradotto da | Douglas Ainslie |
| Edizione | 2 |
| Editore | Macmillan, 1922 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 6 mar 2007 |
| Lunghezza | 503 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |