Aesthetic as Science of Expression and General Linguistic |
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Pagina xv
... Friedrich Schleiermacher - Wrong judgements concerning himSchleiermacher
contrasted with his predecessors — Place assigned to Æsthetic in his Ethics —
Æsthetic activity as immanent and individual -Artistic truth and intellectual truth ...
... Friedrich Schleiermacher - Wrong judgements concerning himSchleiermacher
contrasted with his predecessors — Place assigned to Æsthetic in his Ethics —
Æsthetic activity as immanent and individual -Artistic truth and intellectual truth ...
Pagina xix
... any Syren seems to me the Theory of Æsthetic as the Science of Expression ,
and that is why I have overcome the obstacles that stood between me and the
giving of this theory , which in my belief is the truth , to the English - speaking
world .
... any Syren seems to me the Theory of Æsthetic as the Science of Expression ,
and that is why I have overcome the obstacles that stood between me and the
giving of this theory , which in my belief is the truth , to the English - speaking
world .
Pagina xx
A good instance of this impartiality is his critique of Schopenhauer , with whose
system he is in complete disagreement , yet affords him full credit for what of truth
is contained in his voluminous writings . This thoroughness it is which gives such
...
A good instance of this impartiality is his critique of Schopenhauer , with whose
system he is in complete disagreement , yet affords him full credit for what of truth
is contained in his voluminous writings . This thoroughness it is which gives such
...
Pagina xxii
It may be said with perfect truth that since the death of the poet Carducci there
has been no influence in Italy to compare with that of Benedetto Croce . Of the
popularity that his system and teaching have already attained we may judge , by
the ...
It may be said with perfect truth that since the death of the poet Carducci there
has been no influence in Italy to compare with that of Benedetto Croce . Of the
popularity that his system and teaching have already attained we may judge , by
the ...
Pagina xxiii
One rises from a study of his philosophy with a sense of having been all the time
as it were in personal touch with the truth , which is very far from the case after the
perusal of certain other philosophies . Secure in his strength , Croce will often ...
One rises from a study of his philosophy with a sense of having been all the time
as it were in personal touch with the truth , which is very far from the case after the
perusal of certain other philosophies . Secure in his strength , Croce will often ...
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side simple sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various whole writers
Brani popolari
Pagina 206 - The mind, without looking any further, rests satisfied with the agreeableness of the picture and the gaiety of the fancy. And it is a kind of affront to go about to examine it, by the severe rules of truth and good reason; whereby it appears that it consists in something that is not perfectly conformable to them.
Pagina 20 - He who conceives a tragedy puts into a crucible a great quantity, so to say, of impressions: expressions themselves, conceived on other occasions, are fused together with the new in a single mass, in the same way as we can cast into a melting furnace formless pieces of bronze and choicest statuettes. Those choicest statuettes must be melted just like the pieces of bronze, before there can be a new statue. The old expressions must descend again to the level of impressions, in order to be synthesized...
Pagina 8 - Every true intuition or representation is also expression. That which does not objectify itself in expression is not intuition or representation, but sensation and mere natural fact.
Pagina 6 - Some affirm that they have never observed in themselves this "miraculous" activity, as though there were no difference, or only one of quantity, between sweating and thinking, feeling cold and the energy of the will. Others, certainly with greater reason, would unify activity and mechanism in a more general concept, though they are specifically distinct. Let us, however, refrain for the moment from examining if such a final unification be possible, and in what sense, but admitting that the attempt...
Pagina 441 - Que si él, en muchas partes de sus escritos, dice que el no guardar el arte antiguo lo hace por conformarse con el gusto de la plebe — que nunca consintió el freno de las leyes y preceptos — , dícelo por su natural modestia y porque no atribuya la malicia ignorante a arrogancia lo que es política perfección.
Pagina 69 - Here, for instance, it may be asked how an ornament can be joined to expression. Externally ? In that case, either it does not assist the expression and mars it ; or it does form part of it and is not an ornament, but a constituent element of the expression, indivisible and indistinguishable in its unity.
Pagina 7 - Here a double meaning is concealed in the word "association." Association is understood, either as memory, mnemonic association, conscious recollection, and in that case the claim to unite in memory elements which are not intuited, distinguished, possessed in some way by the spirit and produced by consciousness, seems inconceivable: or it is understood as association of unconscious elements, in which case we remain in the world of sensation and of nature. But if with certain associationists we speak...
Pagina 10 - One paints, not with the hands, but with the brain." Leonardo shocked the prior of the Convent of the Graces by standing for days together gazing at the "Last Supper," without touching it with the brush. He remarked of this attitude: "The minds of men of lofty genius are most active in invention when they are doing the least external work.
Pagina 9 - One often hears people say that they have many great thoughts in their minds, but that they are not able to express them. But if they really had them, they would have coined them into just so many beautiful, sounding words, and thus have expressed them.
Pagina 14 - It were better to change poeta nascitur into homo nascitur poeta: some men are born great poets, some small. The cult of the genius with all its attendant superstitions has arisen from this quantitative difference having been taken as a difference of quality. It has been forgotten that genius is not something that has fallen from heaven, but humanity itself.
Informazioni bibliografiche
| Titolo | Aesthetic as Science of Expression and General Linguistic Volume 1 di Filosofia come scienza dello spirito, Benedetto Croce |
| Autore | Benedetto Croce |
| tradotto da | Douglas Ainslie |
| Edizione | 2 |
| Editore | Macmillan, 1922 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 6 mar 2007 |
| Lunghezza | 503 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |