No.

211. The Earth is an Organism analagous to the

Human Body,

212. An Inquiry into the Cause of Earthquakes,

213. The Fallacy that the Tops of the Highest Moun-

tains might be expected to be Warmer than

the Valleys, refuted,

.

214. Some Remarkable Properties of Minerals,

215. An Account of Copper Ore and Copper Mines,

216. An Explanation of the Superior Hardness of

Cement that has been subjected to the Ac-

tion of Fire,

217. An Analysis of the Different Properties of Stone-

producing Soils,

218. An Account of Reflecting Substances,

219. The Reason of the Reflection in a Mirror,

220. A Short Account of the Properties of Lead,

221. An Account of the Magnet,

222. The Wonderful Properties of the Diamond,

223. The Chief Distinctive Properties common to

Precious Stones,

The Earth:-(b.) Organic Nature.

224. The Four Graduated Stages of Creation: the

Vegetable, the Animal, the Human, the

Divine,

225. The Mental Development of Animals excludes

them from attaining "the Good,"

226. The Different Classes of (Vegetable and) Animal

Life formed by a Difference in the proportion

of the Four Original Elements,

227. A Stage in all Organic Bodies at which Growth

and Development cease, and Decay begins, . Lucr.

228. Certain Distinctions of Species cannot be obliter-

ated,.

229. Owing to the Struggle for Existence, Species tend

to become Extinct if not artificially preserved,

230. An Explanation of the Qualities of Timber,

231, 232. Description of the best-known and most

serviceable Woods,

233, 234. Effect of Climatic and Meteorological Con-

ditions upon various Trees and Plants,

235. The Marvellous Variety of Animal Life,

236. Nature has supplied all Living Creatures with

the most Appropriate Organs for obtaining

their Food,

237. Instinct suggests to Animals the readiest and

most effective means of satisfying their Ne-

cessities,

238. The Source of Instinct an Unsolved Mystery,

239. The Sanitary Features of a District may be in-

ferred from the Effect of its Vegetable Pro-

ducts upon the Animals that inhabit it,

240. On Variation of Type and Hybridation, .

213

No.

PAGE

241. Some Particulars as to the Geographical Distri-

bution of Animals,

242. Natural History of the Lion,

243. The Means of Locomotion among Birds, .

244. Natural History of the Phoenix,

245. On the Senses of Animals,

Plin., N.H. 225

3. Man.

246. Climate determines the Physical Characteristics

of Nations,

247. Climate determines the Mental Qualities of

Nations,

248. The Situation of Italy favourable to the De-

velopment of the Highest Physical and

Mental Capacity,

249. A Comparison of Man with the rest of Creation,

250. Opinions and Statistics with reference to Lon-

gevity,

251. The Question of Life after Death discussed from

a Physical Point of View,

252. The Brain,

253. On Sleep and Dreams,

254. The Cause of a Good Memory,

255. The Problem discussed, why the Things which

excite our several Senses most keenly are

those that produce Satiety the soonest,

256. Arguments to show the Natural as distinct from

the Conventional Origin of Language,

257. On the Nature of Sight,

.

258. A Disquisition on Colours by the Philosopher

Favorinus,

259. A Continuation by Fronto,

260. On Sounds,

261. The Principles of Geometrical Proportion are

based on the Proportional Relations which

obtain in the Human Body,

262. Reasons, founded on Observation of the Human

Body, why Six and Ten should be considered

Perfect Numbers,

263. Nature Hostile to Man,

264, 265. A Short History of the Art of Medicine,

266. Arguments for a Scientific Method in Medicine,

267. Arguments used by those who advocate Empiri-

cism in Medicine,

268. The Arguments for Vivisection were in the First

Century of the Empire extended so as to

include the Human Subject, .

269. Arguments commonly urged against Vivisection, Cels.

270. A few Remarks on Surgery, with the Qualifica-

tions of a good Surgeon,

Cels.

242

242

No.

PART III-ART AND LETTERS. ·

A.-ON THE ARTS GENERALLY.

1. Painting.

1. The Early History of Painting in Greece and Italy,

2. A Short Historical Criticism of Greek Painting,

3. Celebrated Painters at Rome,

4. The Ignorant Ostentation of Wealth has caused

the Art of Painting to degenerate,

5. Portraits the chief use of Painting in Antiquity:

Varro's Process for multiplying Coloured Im-

pressions,

6. Foreshortening invented by Pausias,

7. The Ancient Masters of Antiquity produced their

Effects with very few Colours,

8. Some Facts concerning Apelles,

9. The Idea of Landscape Painting seems to have

struck a Painter named Ludius: though not

taken up by any Successor,

2. Statuary.

10. A Short Criticism of Greek Statuary,

11. Draped Effigies at first usual at Rome: the Nude

adopted through Greek Influence,

12. A List of some of the more Ancient Statues at

Rome,.

13. Antiquity of the Art of Statuary in Italy,

14. The various Modes of fusing Metals practised in

Statuary,

PAGE

Plin., N.H. 245

Quint. 246

Plin., N.H. 246

Plin., N.H. 247

Plin., N.H. 248

Plin., N.H. 249

Plin., N.H. 249

Plin., N.H. 249

15. An Account of various Colossal Statues in Bronze

in Greece and Rome, .

Plin., N.H. 254

16. Some Facts relative to the Art of Moulding in

Clay, .

Plin., N.II. 255

3. Miscellaneous Passages.

17. History of the Art of Chasing Silver,

18. Notices relative to Gold Rings,

19. Description of the Chasing on a Goblet,

20. Description of the Temple of Diana at Ephesus,

No.

PAGE

Quint.

23. The Value of Music as bracing the Mental Tone

and strengthening the Character,

24. The Value of Music as an Aid to Literary Culture, Quint.

259

260

Liv.

: 260

5. The Drama.

25. First Introduction of the Drama into Rome, and

Subsequent Development,

26. Progress of Dramatic Art,

27. Licentiousness of the Mimes, and General In-

decency of the Stage under the Emperors,

28. Terence complains that a Play has no fair chance

against the more Sensational Attractions of

the Amphitheatre,

29. In the time of Augustus the Drama had fallen

into almost Total Neglect in comparison with

the various forms of "Spectacle,"

30. The Degenerate Nobles, incapable of appreciating

True Greatness, substitute for it the False

Ambition of the Stage,

31. Nero's Passion for the Stage,

32. Defence of the Practice of "Contamination,"

33. Roscius, the great Comic Actor,

34. Changes in the Arrangements of the Comic Stage,

35. Observations on the Construction of Theatres,

36. The Ideal Orator and Ideal Eloquence are more
perfect than anything as yet realised,

37. Genius of Greek Eloquence contrasted with that

of Latin,

38. Different Theories as to the Origin of Eloquence,

39. Qualifications of the Perfect Orator.-(a.) Power

of Invention,

40. (b.) Power of Expression by Voice and Gesture, Cic.

41. (c.) A Just Sense of Propriety in his Choice of

270

Style,

Cic.

270

42. (d.) A nice Discrimination in the Employment of

Wit and Humour,

43. (e.) The Power of arousing the Emotions,

44. (f.) A Mind well stored with Philosophy, Dia-

lectic, Ethics, and Physics, .

45. (g.) Also with Legal Knowledge, History, and

Technical Rhetoric, .

46. (h.) He should be a Student of Poetry,

47. (.) He should know how to imitate,

48. (.) He should know whom to imitate,

No.

49. (1) Power of Memory,

PAGE

50. The Practice of Translation from Greek Models

important for the Orator,

51. To re-cast his own Speeches, and to paraphrase

those of Others, will conduce to the Im-

provement of the Orator's Style,

52. The Orator's Style distinct from that of the Philo-

sopher and the Sophist,

53. The Orator's Style distinct from that of the

Historian or the Poet,

54. Characteristics of the Three Representative Styles

of Oratory,

55. To blend these Three Styles in just Proportion the

Perfection of Oratory,

56. The True Attic Style: Mistaken Notions of the

Pseudo-Atticisto,

57. Purity of Idiom best attained by the Daily Inter-

course of a Cultured Home,

2. Rhetoric.

58. The Study of Rhetoric long viewed with Suspicion

in Rome,

59. Sketch of the Theoretical Treatment of the Art of

Rhetoric,

60. The Best Classification of the Departments of

Rhetoric,

61. Main Heads of Treatment applicable to all Cases

alike,

62. These Heads of Treatment correspond with the

"Generales Status" of Cicero and others,

63. The Two Sorts of Composition practised in the

Schools: the "Suasoria" and the "Con-

troversia,"

64. The Style of the "Suasoria" not at all suited for

the Real Cases argued in the Courts,

65. The Chief Merit of a "Suasoria,"

66. The more Practical Character of the "Con-

troversiae,"

67. On "Finitae" and "Infinitae Quaestiones,"

68. The Six Formal Divisions of a "Controversia,"

69. Hints for rendering the Introduction to a Speech

Effective,

Speech,

70. Faults to be avoided in the Introduction to a

71. On the Chief Excellences of Narration,

72. Within what Limits is it Permissible to insert

Ornamental Digressions between the Exposi-

tion and the Proof? .

73. On the Most Effective Arrangement of the

Proof,