Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 77
John Hospers. already referred to something - just as it would not be justifiable for me to use the word " cat " to refer to any university building because the word already has a standard usage which is well understood ; such a ...
John Hospers. already referred to something - just as it would not be justifiable for me to use the word " cat " to refer to any university building because the word already has a standard usage which is well understood ; such a ...
Pagina 223
... already , there is no point in going over it again . And thus the present discussion of " reality " is conveniently cut short by the fact that in the only sense which is highly relevant for our purpose , it has been discussed already ...
... already , there is no point in going over it again . And thus the present discussion of " reality " is conveniently cut short by the fact that in the only sense which is highly relevant for our purpose , it has been discussed already ...
Pagina 227
... already seen , the artist's insights are not private and incommunicable , but are ( potentially at least ) publicly experienceable . They are not , or rather they do not re- main , the private property of the artist . In this sense at ...
... already seen , the artist's insights are not private and incommunicable , but are ( potentially at least ) publicly experienceable . They are not , or rather they do not re- main , the private property of the artist . In this sense at ...
Sommario
PRELIMINARY DISTINCTIONS | 10 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York