Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 10
... common usage of the term " esthetic " would indicate that it means at least what I have described , and that whatever else is added is a more or less arbitrary addition , not in accord with the way people generally use the term . The ...
... common usage of the term " esthetic " would indicate that it means at least what I have described , and that whatever else is added is a more or less arbitrary addition , not in accord with the way people generally use the term . The ...
Pagina 29
... common type of symbol is that which is gen- erally called a conventional or arbitrary symbol , which stands for its referent only by a common convention resulting from an ex- plicit stipulation of the meaning to be attached to it . Thus ...
... common type of symbol is that which is gen- erally called a conventional or arbitrary symbol , which stands for its referent only by a common convention resulting from an ex- plicit stipulation of the meaning to be attached to it . Thus ...
Pagina 167
... common with other human beings and hence is not " of our ken " ( such as the inmates of certain asylums ) . The person portrayed must be a full - bodied individual just as much as he must embody the universal char- acters common to ...
... common with other human beings and hence is not " of our ken " ( such as the inmates of certain asylums ) . The person portrayed must be a full - bodied individual just as much as he must embody the universal char- acters common to ...
Sommario
PRELIMINARY DISTINCTIONS | 10 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York