Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 55
... effect evoked in him by those notes ; why one reaction should be more natural than another I cannot imagine . Is it natural for us to feel solemn and religious in the presence of funeral marches ? But surely this is largely dependent ...
... effect evoked in him by those notes ; why one reaction should be more natural than another I cannot imagine . Is it natural for us to feel solemn and religious in the presence of funeral marches ? But surely this is largely dependent ...
Pagina 57
... effect is in the music ; but the point of his theory can just as well be ren- dered by saying that certain felt effects are naturally ( some might say necessarily though the meaning of that term in this context is far from clear ) ...
... effect is in the music ; but the point of his theory can just as well be ren- dered by saying that certain felt effects are naturally ( some might say necessarily though the meaning of that term in this context is far from clear ) ...
Pagina 94
... effects , that its effect upon the listener is of no consequence . If it produced no effects of any kind upon any- body , what would be the reason for its existence ? When Hanslick says that " the beautiful , strictly speaking , aims at ...
... effects , that its effect upon the listener is of no consequence . If it produced no effects of any kind upon any- body , what would be the reason for its existence ? When Hanslick says that " the beautiful , strictly speaking , aims at ...
Sommario
PRELIMINARY DISTINCTIONS | 10 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York