Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 33
... existence on the use of words , we have here one example of conventional symbols in the arts . To what extent the use of words simply as symbols is relevant to literature as an art is an issue which will be discussed in Chapter IV ...
... existence on the use of words , we have here one example of conventional symbols in the arts . To what extent the use of words simply as symbols is relevant to literature as an art is an issue which will be discussed in Chapter IV ...
Pagina 89
... existence . The most ardent advocate of the iso- lation theory will , for example , describe one composition as more " pro- found " than another , will describe one melody as " noble ” and another as " sentimental . " Such judgments are ...
... existence . The most ardent advocate of the iso- lation theory will , for example , describe one composition as more " pro- found " than another , will describe one melody as " noble ” and another as " sentimental . " Such judgments are ...
Pagina 221
... existence " must be de- fined in terms of possible experience ? ) And if , on the other hand , we could experience it , then how could it be transcendent ? In any event , I do not see how any such " reality " could be of help to us in ...
... existence " must be de- fined in terms of possible experience ? ) And if , on the other hand , we could experience it , then how could it be transcendent ? In any event , I do not see how any such " reality " could be of help to us in ...
Sommario
PRELIMINARY DISTINCTIONS | 10 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York