Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 156
... facts it contains , else we are enjoying it as science and not as literature . Now certainly it is true that literature ... fact of its being nicely written may increase the emotional urge to accept it as true ; and it is just here that ...
... facts it contains , else we are enjoying it as science and not as literature . Now certainly it is true that literature ... fact of its being nicely written may increase the emotional urge to accept it as true ; and it is just here that ...
Pagina 165
... fact : to free it from the accidental , the trivial , the irrelevant ; to purify it , in a word , from the dross which always mingles with em- pirical reality . . . . The truth , then , of poetry is essentially different from the truth ...
... fact : to free it from the accidental , the trivial , the irrelevant ; to purify it , in a word , from the dross which always mingles with em- pirical reality . . . . The truth , then , of poetry is essentially different from the truth ...
Pagina 216
... fact that he is a poet does not for a moment exonerate him from the necessity of passing the same rigid criteria of truth that they do , or excuse him for making false assertions , or mitigate his position in any way . Sir Henry Newbolt ...
... fact that he is a poet does not for a moment exonerate him from the necessity of passing the same rigid criteria of truth that they do , or excuse him for making false assertions , or mitigate his position in any way . Sir Henry Newbolt ...
Sommario
PRELIMINARY DISTINCTIONS | 10 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York