Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 104
... illustration and the art of plastic volumes .... " " And since the art of illustration is really " literary " and quite extraneous to the plastic medium , wherever the literary values interfere with the plastic , it is the former that ...
... illustration and the art of plastic volumes .... " " And since the art of illustration is really " literary " and quite extraneous to the plastic medium , wherever the literary values interfere with the plastic , it is the former that ...
Pagina 108
... illustration from music : When we compare , let us say , a symphony of Haydn with Beethoven's Eroica and Fifth , it is impossible not to be conscious of a difference of a semi - literary quality . Beethoven's own title for his Third ...
... illustration from music : When we compare , let us say , a symphony of Haydn with Beethoven's Eroica and Fifth , it is impossible not to be conscious of a difference of a semi - literary quality . Beethoven's own title for his Third ...
Pagina 123
... illustration of words and sentences used entirely in this fashion ; here the words are of no intrinsic importance , and the referents are all - important . Writers in the exact sciences deliberately set out to restrict their words to ...
... illustration of words and sentences used entirely in this fashion ; here the words are of no intrinsic importance , and the referents are all - important . Writers in the exact sciences deliberately set out to restrict their words to ...
Sommario
PRELIMINARY DISTINCTIONS | 10 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York