Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 11
... less impressive than many which we value less highly - a portrait presenting a powerful characterization , for example , even one which in a certain way is repulsive , such as Rembrandt's " Old Woman Paring Her Nails . " The sensuous ...
... less impressive than many which we value less highly - a portrait presenting a powerful characterization , for example , even one which in a certain way is repulsive , such as Rembrandt's " Old Woman Paring Her Nails . " The sensuous ...
Pagina 41
... less and less , that which is imitated becomes less and less the " model " which is copied and more and more simply a stimulus to the artist or foundation from which the rest was built through his creative imagination - it becomes ...
... less and less , that which is imitated becomes less and less the " model " which is copied and more and more simply a stimulus to the artist or foundation from which the rest was built through his creative imagination - it becomes ...
Pagina 89
... less degree of a unique and incommunicable pleasure . A composition could be no more profound or noble or senti- mental than a wine . Yet such judgments , in the case of many composi- tions , are quite unavoidable.30 In terms of the ...
... less degree of a unique and incommunicable pleasure . A composition could be no more profound or noble or senti- mental than a wine . Yet such judgments , in the case of many composi- tions , are quite unavoidable.30 In terms of the ...
Sommario
PRELIMINARY DISTINCTIONS | 10 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York