Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 10
... occur together we are apt to center some of our attention on their relationships to each other , in which case we ... occurs in Esthetic Judg- ment , especially Chapters 3 , 4 , 5 , and 10 . very difficult to state just what they are ...
... occur together we are apt to center some of our attention on their relationships to each other , in which case we ... occurs in Esthetic Judg- ment , especially Chapters 3 , 4 , 5 , and 10 . very difficult to state just what they are ...
Pagina 44
... occurs in music , as the quotations from Hanslick abundantly show . It does not occur in painting , nor even in sculpture , where , for example , the uniform coloration and the obvious ❝stoniness " of the statue of Lincoln ( among ...
... occurs in music , as the quotations from Hanslick abundantly show . It does not occur in painting , nor even in sculpture , where , for example , the uniform coloration and the obvious ❝stoniness " of the statue of Lincoln ( among ...
Pagina 70
... occur , the two must not only " lie together in the mind , " but one must be felt in and as a quality of the other ( not perceived as distinct entities in the way that the friend's memoirs are at first perceived as distinct from his ...
... occur , the two must not only " lie together in the mind , " but one must be felt in and as a quality of the other ( not perceived as distinct entities in the way that the friend's memoirs are at first perceived as distinct from his ...
Sommario
PRELIMINARY DISTINCTIONS | 10 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
3 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York