Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 73
... possible to define " beautiful " in such a way as to exclude all those things which are considered inexpressive ; but this is surely to depart from any common meaning of the word : in any usual sense , it is at least logically possible ...
... possible to define " beautiful " in such a way as to exclude all those things which are considered inexpressive ; but this is surely to depart from any common meaning of the word : in any usual sense , it is at least logically possible ...
Pagina 95
... possible precautions to avoid any such error by throwing out entirely all connections of music with life . They have in mind too , doubtless , the difficulty of what , if music " means anything , " it may be said to mean , and they are ...
... possible precautions to avoid any such error by throwing out entirely all connections of music with life . They have in mind too , doubtless , the difficulty of what , if music " means anything , " it may be said to mean , and they are ...
Pagina 165
... possible which poetry creates is more intelligible than the world of experience . The poet presents perma- nent and eternal facts , free from the elements of unreason which disturb our comprehension of real events and of human conduct ...
... possible which poetry creates is more intelligible than the world of experience . The poet presents perma- nent and eternal facts , free from the elements of unreason which disturb our comprehension of real events and of human conduct ...
Sommario
PRELIMINARY DISTINCTIONS | 10 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York