Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
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Pagina 220
... reality - the men of science have more and more clearly realized that their theories do not tell us what reality is , but only how we must conceive it if we wish to perform these miracles . This realization had gone so far in 1901 that ...
... reality - the men of science have more and more clearly realized that their theories do not tell us what reality is , but only how we must conceive it if we wish to perform these miracles . This realization had gone so far in 1901 that ...
Pagina 221
... reality " " beyond " the pale of experience made sense , how could it ever be experienced , through art or anything else ? ( Indeed , how could one know that there was such a " veil " ? and what would it mean for there to be such a reality ...
... reality " " beyond " the pale of experience made sense , how could it ever be experienced , through art or anything else ? ( Indeed , how could one know that there was such a " veil " ? and what would it mean for there to be such a reality ...
Pagina 225
... reality " to see how they are using the term and whether their claims are justified . Writers on painting seem to be ... reality . . . . Time and subjective vision veil the true reality . . . . The great plastic art of the past has made ...
... reality " to see how they are using the term and whether their claims are justified . Writers on painting seem to be ... reality . . . . Time and subjective vision veil the true reality . . . . The great plastic art of the past has made ...
Sommario
PRELIMINARY DISTINCTIONS | 10 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York