Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 63
... reveal . " This is most generally the case when we speak of an outer act or event revealing or expressing an inner ... reveal , a feeling which he has . If he does not have the feeling of joy , then his face cannot reveal or express it ...
... reveal . " This is most generally the case when we speak of an outer act or event revealing or expressing an inner ... reveal , a feeling which he has . If he does not have the feeling of joy , then his face cannot reveal or express it ...
Pagina 65
... reveal anger although the person may not be angry at all , and he cannot reveal , at any given moment , an anger which he does not have . Hence our criterion for settling this issue is an objective fact : is he angry or not ? But in the ...
... reveal anger although the person may not be angry at all , and he cannot reveal , at any given moment , an anger which he does not have . Hence our criterion for settling this issue is an objective fact : is he angry or not ? But in the ...
Pagina 169
... reveal to us the gist of existence , as flat experience and prosaic observation could never do . " ( The Realm of Truth , pp . 61-62 . ) Cf. also Marcel Proust , The Past Recaptured , pp . 224-28 , and the following interesting analogy ...
... reveal to us the gist of existence , as flat experience and prosaic observation could never do . " ( The Realm of Truth , pp . 61-62 . ) Cf. also Marcel Proust , The Past Recaptured , pp . 224-28 , and the following interesting analogy ...
Sommario
PRELIMINARY DISTINCTIONS | 10 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York