DUKE S. Why, how now, monsieur! what a life is this, That your poor friends must woo your company? What! you look merrily. JAQ. A fool, a fool! I met a fool i'the forest, Who laid him down and bask'd him in the sun, Thus we may see, quoth he, how the world wags: a Well said!] Meaning, well done. b Enter Duke, &c.] In the folio, 1623, "Enter Duke Sen, and Lord, like Out-lawes." c My only suit;] The old, old play on the double meaning of the word d Not to seem-] The original text reads only: And then, from hour to hour, we rot and rot; JAQ. O worthy fool!-One that hath been a And says, if ladies be but young and fair, In mangled forms.-O, that I were a fool! The why is plain as way to parish church : DUKE S. Fie on thee! I can tell what thou wouldst do. JAQ. What, for a counter, would I do, but good? DUKE S. Most mischievous foul sin, in chiding sin: * For thou thyself hast been a libertine, As sensual as the brutish sting itself; JAQ. Why, who cries out on pride, (*) First folio, fin. "Seem senseless of the bob." The words not to, were supplied by Theobald. If any addition is really called for, that proposed by Mr. Collier's annotator-" But to seem," &c.-is well entitled to consideration. Till that the weary very means do ebb? That says his bravery is not on my cost, There then; how then? what then? Let me see wherein My tongue hath wrong'd him: if it do him right, Then he hath wrong'd himself: if he be free, Why then my taxing like a wild-goose flies, Unclaim'd of any man.-But who comes here? Of bare distress hath ta'en from me the show JAQ. An you will not be answered with reason," I must die. DUKE S. What would you have? Your gentleness shall force, More than your force move us to gentleness. ORL. I almost die for food, and let me have it. DUKE S. Sit down and feed, and welcome to our table. ORL. Speak you so gently? Pardon me, I pray you: I thought, that all things had been savage here, Under the shade of melancholy boughs, If ever been where bells have knoll'd to church, days, And have with holy bell been knoll'd to church, And sat at good men's feasts; and wip'd our eyes Of drops that sacred pity hath engender'd: ORL. Then, but forbear your food a little while, DUKE S. comfort! ORL. I thank ye; and be bless'd for your good [Exit. DUKE S. Thou seest we are not all alono unhappy : This wide and universal theatre JAQ. b Bravery-] Finery. • Inland-] Opposed to upland. Orlando means that he is urbanely bred; brought up in civilized society; "-or, finally, in any uplandish village or corner of a Realme where is no resort but of poore rusticall or uncivill people."-PUTTENHAM's Arte of Poesie, 1589. d And know some nurture.] And possess some courtesy, breeding, manners:-"It is a point of nurture, or good manners, to salute them that you meete. Urbanitas est salutare obvios."BARET'S Alvearie, 1580. • With reason,-] We should, possibly, read reasons. Here, as in other places, Shakespeare evidently indulged in the perennia pun on reasons and raisins. A quibble, by the way, which Skelton long before found irresistible: "Grete reysons with resons be now reprobitante, Speke Parrot. Dyce's Ed. vol. ii. p. 22. And shining morning-face, creeping like snail age shifts Even in the cannon's mouth. And then the justice, Sans teeth, sans eyes, sans taste, sans everything. Freeze, freeze, thou bitter sky, As benefits forgot : As friend remember'd not. DUKE S. If that you were the good sir Roland's son, As you have whisper'd faithfully you were, Go to my cave and tell me.-Good old man, VOL. II. 145 J. DUKE F. Not see him since? Sir, sir, that cannot be : But were I not the better part made mercy, Thy lands, and all things that thou dost call thine, DUKE F. More villain thou. Well, push him out of doors; And let my officers of such a nature "And hears the unexpressive nuptial song." And again, in the "Hymn on the Nativity" : "Harping in loud and solemn quire, With unexpressive notes to heaven's new-born heir." Enter CORIN and TOUCHSTONE. COR. And how like you this shepherd's life, master Touchstone? TOUCH. Truly, shepherd, in respect of itself, it is a good life; but in respect that it is a shepherd's life, it is naught. In respect that it is solitary, I like it very well; but in respect that it is private, it is a very vile life. Now in respect it is in the fields, it pleaseth me well; but in respect it is not in the court, it is tedious. As it is a spare life, look you, it fits my humour well; but as there is no more plenty in it, it goes much against my stomach. Hast any philosophy in thee, shepherd? COR. No more but that I know, the more one sickens, the worse at ease he is; and that he that wants money, means, and content, is without three good friends. That the property of rain is to wet, a May complain of good breeding,-] That is, of a deficiency of good breeding. An elliptical mode of speech, which, as Whiter and fire to burn; that good pasture makes fat sheep; and that a great cause of the night, is lack of the sun; that he that hath learned no wit by nature nor art, may complain of good breeding, or comes of a very dull kindred. TOUCH. Such a one is a natural philosopher. TOUCH. Then thou art damned. TOUCH. Truly, thou art damned, like an illroasted egg, all on one side. COR. For not being at court? your reason? TOUCH. Why, if thou never wast at court, thou never sawest good manners; if thou never sawest good manners, then thy manners must be wicked; and wickedness is sin, and sin is damnation. Thou art in a parlous state, shepherd. COR. Not a whit, Touchstone: those, that are remarked, is not peculiar to Shakespeare, or indeed to the English language. |