Aesthetic as Science of Expression and General LinguisticLibrary of Alexandria, 28 set 2020 - 503 pagine |
Dall'interno del libro
Risultati 6-10 di 44
Pagina
... appears the truth of the thesis which denies to art all content, as content being understood just the intellectual concept. In this sense, when we take “content” as equal to “concept” it is most true, not only that art does not consist ...
... appears the truth of the thesis which denies to art all content, as content being understood just the intellectual concept. In this sense, when we take “content” as equal to “concept” it is most true, not only that art does not consist ...
Pagina
... appears somewhat inaccurate to define language or expression as an intermediate link between nature and humanity, as though it were a mixture of the one and of the other. Where humanity appears, the rest has already disappeared; the man ...
... appears somewhat inaccurate to define language or expression as an intermediate link between nature and humanity, as though it were a mixture of the one and of the other. Where humanity appears, the rest has already disappeared; the man ...
Pagina
... appear in history as do scientific concepts, but rather like those that we have seen dissolved and melted in the aesthetic intuitions, although they stand out in history in an altogether new relief. History does not construct the ...
... appear in history as do scientific concepts, but rather like those that we have seen dissolved and melted in the aesthetic intuitions, although they stand out in history in an altogether new relief. History does not construct the ...
Pagina
... the subjective from the objective side, the lyric from the epic, the image of feeling from that of things. Errors derived from this theory appearing in judgments on art. From the theory of the artistic and literary classes derive.
... the subjective from the objective side, the lyric from the epic, the image of feeling from that of things. Errors derived from this theory appearing in judgments on art. From the theory of the artistic and literary classes derive.
Pagina
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Sommario
VI THEORETIC AND PRACTICAL ACTIVITY | |
VII ANALOGY BETWEEN THE THEORETIC AND THE PRACTICAL | |
XI CRITIQUE OF AESTHETIC HEDONISM | |
XII THE AESTHETIC OF THE SYMPATHETIC AND PSEUDOAESTHETIC CONCEPTS | |
XIII THE SOCALLED PHYSICALLY BEAUTIFUL IN NATURE AND ART | |
XIV MISTAKES ARISING FROM THE CONFUSION BETWEEN PHYSIC AND AESTHETIC | |
XV THE ACTIVITY OF EXTERNALIZATION TECHNIQUE AND THE THEORY OF THE ARTS | |
XVI TASTE AND THE REPRODUCTION OF ART | |
XVII THE HISTORY OF LITERATURE AND ART | |
XVIII CONCLUSION IDENTITY OF LINGUISTIC AND AESTHETIC | |
VIII EXCLUSION OF OTHER SPIRITUAL FORMS | |
IX INDIVISIBILITY OF EXPRESSION INTO MODES OR GRADES AND CRITIQUE OF RHETORIC | |
X AESTHETIC FEELINGS AND THE DISTINCTION BETWEEN THE UGLY AND THE BEAUTIFUL | |
HISTORICAL SUMMARY | |
APPENDIX | |
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2017 |
Parole e frasi comuni
abstract action admit aesthetic activity aesthetic fact aestheticians affirmation already altogether appear Aristotle artistic and literary associationism Baumgarten beautiful Benedetto Croce called century colours comic complete concept concrete confusion consciousness criticism Critique Critique of Judgment Croce definition distinction doctrine economic empirical empiricism error ethical exist expression external fancy feeling genius hedonism hedonistic Hegel Herbart Hippias major human ideal ideas imagination imitation impressions individual intellectual intellectualist intuitive knowledge Italian judgment Kant knowledge language laws Leibnitz less Linguistic logical looked lyric means metaphysical moral natural sciences Neoplatonism noumenon object painting perfect philosophy physical Plato pleasure Plotinus poet poetic poetry possess practical activity problem production propositions psychology pure intuition reality reason represent representation reproduction Sanctis Schelling Schleiermacher Schopenhauer scientific sensation sense Solger soul spirit spiritual activity taste theoretic things thought true truth ugly unity universal Vico Winckelmann word writers