Aesthetic as Science of Expression and General LinguisticMacmillan, 1922 - 503 pagine |
Dall'interno del libro
Risultati 6-10 di 87
Pagina 17
... character of simple intuition . This simple and feeling . intuition is quite distinct from intellectual knowledge , as it is distinct from perception of the real ; and the statements quoted above arise from the belief that only ...
... character of simple intuition . This simple and feeling . intuition is quite distinct from intellectual knowledge , as it is distinct from perception of the real ; and the statements quoted above arise from the belief that only ...
Pagina 18
... character of expression as distinct from impression , of form as distinct from matter . This theory can be reduced to the error just indicated of wishing to find a passage from the qualities of the content to those of the form . To ask ...
... character of expression as distinct from impression , of form as distinct from matter . This theory can be reduced to the error just indicated of wishing to find a passage from the qualities of the content to those of the form . To ask ...
Pagina 21
... character as activity . Activity is the deliverer , just because it drives away passivity . This also explains why ... characters are compatible , for they do not refer to the same object . The sensibility or passion relates to the rich ...
... character as activity . Activity is the deliverer , just because it drives away passivity . This also explains why ... characters are compatible , for they do not refer to the same object . The sensibility or passion relates to the rich ...
Pagina 27
... character of conceptual science something of its value and dignity has been taken from it . This really arises from a false idea of art , conceived not as an essential theoretic function , but as an amusement , a superfluity , a ...
... character of conceptual science something of its value and dignity has been taken from it . This really arises from a false idea of art , conceived not as an essential theoretic function , but as an amusement , a superfluity , a ...
Pagina 28
... character of the intuition or first perception , in which all is real and therefore nothing is real . Only at a later stage does the spirit form the concepts of external and internal , of what has happened and what is desired , of ...
... character of the intuition or first perception , in which all is real and therefore nothing is real . Only at a later stage does the spirit form the concepts of external and internal , of what has happened and what is desired , of ...
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Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten Benedetto Croce called century character cognition colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic ethical exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles word writers