Aesthetic as Science of Expression and General LinguisticMacmillan, 1922 - 503 pagine |
Dall'interno del libro
Risultati 6-10 di 84
Pagina 17
... hand if an artist paint the interior of a wax - work museum , or if an actor give a burlesque portrait of a man - statue on the stage , we have work of the spirit and artistic intuition . Finally , if photography have in it anything ...
... hand if an artist paint the interior of a wax - work museum , or if an actor give a burlesque portrait of a man - statue on the stage , we have work of the spirit and artistic intuition . Finally , if photography have in it anything ...
Pagina 19
... hand , distinctions made after reflexion have nothing whatever to do with art as such . The theory of the ęsthetic senses has also been pre- sented in another way ; as an attempt to establish what physiological organs are necessary for ...
... hand , distinctions made after reflexion have nothing whatever to do with art as such . The theory of the ęsthetic senses has also been pre- sented in another way ; as an attempt to establish what physiological organs are necessary for ...
Pagina 49
... hand , place before Criticism of practical action an altogether special class of judgements , practical judgements or which they call practical judgements or judgements of judgements of value . They say that in order to resolve on ...
... hand , place before Criticism of practical action an altogether special class of judgements , practical judgements or which they call practical judgements or judgements of judgements of value . They say that in order to resolve on ...
Pagina 50
... hands to touch the notes of the piano , or to take up the brush and chisel , thus making on a large scale movements which we have already made in little and rapidly , in a material in which we leave more or less durable traces ; this is ...
... hands to touch the notes of the piano , or to take up the brush and chisel , thus making on a large scale movements which we have already made in little and rapidly , in a material in which we leave more or less durable traces ; this is ...
Pagina 57
... is this , whose perversity neither age , nor infirmity , nor the fear of death which he sees at hand , nor the fear of God before whose judge- The economic side of morality . ment - seat he VII ANALOGY OF THEORY AND PRACTICE 57.
... is this , whose perversity neither age , nor infirmity , nor the fear of death which he sees at hand , nor the fear of God before whose judge- The economic side of morality . ment - seat he VII ANALOGY OF THEORY AND PRACTICE 57.
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Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Ęsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Ęsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract ęsthetic activity ęsthetic fact ęstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten Benedetto Croce called century character cognition colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic ethical exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles word writers