Aesthetic as Science of Expression and General LinguisticLibrary of Alexandria, 28 set 2020 - 503 pagine |
Dall'interno del libro
Risultati 6-10 di 32
Pagina
... laws of the epic poem, or to those of tragedy, to those of historical portraiture, or to those of landscape painting. Artists, however, while making a verbal pretence of agreeing, or yielding a feigned obedience to them, have really ...
... laws of the epic poem, or to those of tragedy, to those of historical portraiture, or to those of landscape painting. Artists, however, while making a verbal pretence of agreeing, or yielding a feigned obedience to them, have really ...
Pagina
... laws and definitions. The mistake arises when the weight of a scientific definition is given to a word, when we ingenuously let ourselves be caught in the meshes of that phraseology. Pray permit me a comparison. It is necessary to ...
... laws and definitions. The mistake arises when the weight of a scientific definition is given to a word, when we ingenuously let ourselves be caught in the meshes of that phraseology. Pray permit me a comparison. It is necessary to ...
Pagina
... laws, these universals? Historical laws and historical concepts? In that case, an elementary criticism of knowledge suffices to make clear the absurdity of the attempt. When such expressions as a historical law, a historical concept are ...
... laws, these universals? Historical laws and historical concepts? In that case, an elementary criticism of knowledge suffices to make clear the absurdity of the attempt. When such expressions as a historical law, a historical concept are ...
Pagina
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Sommario
VI THEORETIC AND PRACTICAL ACTIVITY | |
VII ANALOGY BETWEEN THE THEORETIC AND THE PRACTICAL | |
XI CRITIQUE OF AESTHETIC HEDONISM | |
XII THE AESTHETIC OF THE SYMPATHETIC AND PSEUDOAESTHETIC CONCEPTS | |
XIII THE SOCALLED PHYSICALLY BEAUTIFUL IN NATURE AND ART | |
XIV MISTAKES ARISING FROM THE CONFUSION BETWEEN PHYSIC AND AESTHETIC | |
XV THE ACTIVITY OF EXTERNALIZATION TECHNIQUE AND THE THEORY OF THE ARTS | |
XVI TASTE AND THE REPRODUCTION OF ART | |
XVII THE HISTORY OF LITERATURE AND ART | |
XVIII CONCLUSION IDENTITY OF LINGUISTIC AND AESTHETIC | |
VIII EXCLUSION OF OTHER SPIRITUAL FORMS | |
IX INDIVISIBILITY OF EXPRESSION INTO MODES OR GRADES AND CRITIQUE OF RHETORIC | |
X AESTHETIC FEELINGS AND THE DISTINCTION BETWEEN THE UGLY AND THE BEAUTIFUL | |
HISTORICAL SUMMARY | |
APPENDIX | |
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2017 |
Parole e frasi comuni
abstract action admit aesthetic activity aesthetic fact aestheticians affirmation already altogether appear Aristotle artistic and literary associationism Baumgarten beautiful Benedetto Croce called century colours comic complete concept concrete confusion consciousness criticism Critique Critique of Judgment Croce definition distinction doctrine economic empirical empiricism error ethical exist expression external fancy feeling genius hedonism hedonistic Hegel Herbart Hippias major human ideal ideas imagination imitation impressions individual intellectual intellectualist intuitive knowledge Italian judgment Kant knowledge language laws Leibnitz less Linguistic logical looked lyric means metaphysical moral natural sciences Neoplatonism noumenon object painting perfect philosophy physical Plato pleasure Plotinus poet poetic poetry possess practical activity problem production propositions psychology pure intuition reality reason represent representation reproduction Sanctis Schelling Schleiermacher Schopenhauer scientific sensation sense Solger soul spirit spiritual activity taste theoretic things thought true truth ugly unity universal Vico Winckelmann word writers