Aesthetic as Science of Expression and General LinguisticMacmillan, 1922 - 503 pagine |
Dall'interno del libro
Risultati 6-10 di 100
Pagina 21
... object . The sensibility or passion relates to the rich material which the artist absorbs into his psychic organism ; the insensibility or serenity to the form with which he subdues and dominates the tumult of the -- sensations and ...
... object . The sensibility or passion relates to the rich material which the artist absorbs into his psychic organism ; the insensibility or serenity to the form with which he subdues and dominates the tumult of the -- sensations and ...
Pagina 22
... hate or love for certain objects and individuals , but the effort of his thought itself , with the pain and the joy , the love and the hate joined to it . This effort cannot but assume an intuitive form , in becoming objective to 22.
... hate or love for certain objects and individuals , but the effort of his thought itself , with the pain and the joy , the love and the hate joined to it . This effort cannot but assume an intuitive form , in becoming objective to 22.
Pagina 27
... object the individual ; but not the representation , it is added , but rather the concept of the individual . From this it is argued that history is also a logical or scientific form of knowledge . History , in fact , is supposed to ...
... object the individual ; but not the representation , it is added , but rather the concept of the individual . From this it is argued that history is also a logical or scientific form of knowledge . History , in fact , is supposed to ...
Pagina 28
... object and subject , and the like : only at this later stage , that is , does it distinguish historical from non - historical intuition , the real from the unreal , real imagination from pure imagination . Even internal facts , what is ...
... object and subject , and the like : only at this later stage , that is , does it distinguish historical from non - historical intuition , the real from the unreal , real imagination from pure imagination . Even internal facts , what is ...
Pagina 32
... object of art . As is generally the case with erroneous propositions , the meaning of those who employed and employ the concept of probability has no doubt often been much more reasonable than their definition of the word . By ...
... object of art . As is generally the case with erroneous propositions , the meaning of those who employed and employ the concept of probability has no doubt often been much more reasonable than their definition of the word . By ...
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Altre edizioni - Visualizza tutto
Esthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten Benedetto Croce called century character cognition colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic ethical exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles word writers