Aesthetic as Science of Expression and General LinguisticMacmillan, 1922 - 503 pagine |
Dall'interno del libro
Risultati 6-10 di 79
Pagina 69
... principles have , at the same time , been carefully preserved ( perhaps in order to show proof of philosophic consistency ) . In literature the rhetorical categories have contributed , if not to make dominant , at least to justify ...
... principles have , at the same time , been carefully preserved ( perhaps in order to show proof of philosophic consistency ) . In literature the rhetorical categories have contributed , if not to make dominant , at least to justify ...
Pagina 104
... emerge from the difficulty , and to reaffirm in some way the unity which has been destroyed by their principle of association , are highly instructive . 104 XIV ERRORS ARISING FROM THE CONFUSION BETWEEN PHYSICS AND ESTHETIC.
... emerge from the difficulty , and to reaffirm in some way the unity which has been destroyed by their principle of association , are highly instructive . 104 XIV ERRORS ARISING FROM THE CONFUSION BETWEEN PHYSICS AND ESTHETIC.
Pagina 105
Benedetto Croce. by their principle of association , are highly instructive . Some maintain that the image recalled is unconscious ; others , leaving unconsciousness alone , hold that , on the contrary , it is vague , vaporous , confused ...
Benedetto Croce. by their principle of association , are highly instructive . Some maintain that the image recalled is unconscious ; others , leaving unconsciousness alone , hold that , on the contrary , it is vague , vaporous , confused ...
Pagina 113
... principles are to be found in the latter . To propose to construct a scientific theory of the different arts would be to wish to reduce to the single and homogeneous what is by nature multiple and heterogeneous ; to wish to destroy the ...
... principles are to be found in the latter . To propose to construct a scientific theory of the different arts would be to wish to reduce to the single and homogeneous what is by nature multiple and heterogeneous ; to wish to destroy the ...
Pagina 117
... principle , that fundamentum aesthetices , which is the independence of art , to deduce from it the guiltless- ness of the artist who calculates like an immoral specu- lator upon the unhealthy tastes of his readers in the ...
... principle , that fundamentum aesthetices , which is the independence of art , to deduce from it the guiltless- ness of the artist who calculates like an immoral specu- lator upon the unhealthy tastes of his readers in the ...
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Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten Benedetto Croce called century character cognition colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic ethical exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles word writers