Poetry, Volume 12Harriet Monroe Modern Poetry Association, 1918 |
Dall'interno del libro
Risultati 6-10 di 34
Pagina 32
... rhythm just as she hands to the painter the laws of light and color , or to the architect the laws of proportion and stress . Dr. Patterson has the true scientific spirit ; without preju- dice he is investigating and recording . He ...
... rhythm just as she hands to the painter the laws of light and color , or to the architect the laws of proportion and stress . Dr. Patterson has the true scientific spirit ; without preju- dice he is investigating and recording . He ...
Pagina 33
... through numerous stages , into the " freer " larger rhythms of Shakespearean or Miltonic blank verse . From these it is but a step to the varied rhythms of the best free verse ; from these but another step to the [ 33 ] Dr. Patterson on ...
... through numerous stages , into the " freer " larger rhythms of Shakespearean or Miltonic blank verse . From these it is but a step to the varied rhythms of the best free verse ; from these but another step to the [ 33 ] Dr. Patterson on ...
Pagina 34
... rhythms of common journalese , the tum - te - tum of cheap verse , and be- fore long complete the circle back to ... rhythmic principle is the same , I repeat , in both prose and verse . The rhythmic difference , scientifically speaking ...
... rhythms of common journalese , the tum - te - tum of cheap verse , and be- fore long complete the circle back to ... rhythmic principle is the same , I repeat , in both prose and verse . The rhythmic difference , scientifically speaking ...
Pagina 35
... rhythm which counts , which makes the distinction between poetic and prose rhythms . And this secondary rhythm is no more " occult " in good free verse than it is in good metrical verse . Dr. Patterson talks a little wildly , I think ...
... rhythm which counts , which makes the distinction between poetic and prose rhythms . And this secondary rhythm is no more " occult " in good free verse than it is in good metrical verse . Dr. Patterson talks a little wildly , I think ...
Pagina 36
... rhythms alone , and none of the other elements - emotion , tone - color , sound- quality , etc. which unite with rhythm to make up beauty , and to assert the distinction between poe prose . A NOTE ON T. S. ELIOT'S BOOK M and It might be ...
... rhythms alone , and none of the other elements - emotion , tone - color , sound- quality , etc. which unite with rhythm to make up beauty , and to assert the distinction between poe prose . A NOTE ON T. S. ELIOT'S BOOK M and It might be ...
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