Æsthetic as science of expression and general linguisticGood Press, 5 dic 2019 - 620 pagine Benedetto Croce's 'Aesthetic as Science of Expression and General Linguistic' is a classic book on aesthetics and art theory. Croce defines aesthetics as the science of intuitive knowledge, and for him, intuition and expression are both of equal value. He offers a detailed history of aesthetics, which is both illuminating and penetrating. The book is a thought-provoking discourse on thinkers whose importance only matches their obscurity. Croce's writing is simple yet deep, making this book a must-read for anyone interested in aesthetics. |
Dall'interno del libro
Risultati 6-10 di 83
Pagina
... sense, which we shall explain further on. Criticism of the imitation of nature and of the artistic illusion. The proposition that art is imitation of nature has also several meanings. Sometimes truths have been expressed or at least ...
... sense, which we shall explain further on. Criticism of the imitation of nature and of the artistic illusion. The proposition that art is imitation of nature has also several meanings. Sometimes truths have been expressed or at least ...
Pagina
... senses . The theory of the aesthetic senses has also arisen from the failure to establish , or from having lost to view , the character of expression as distinct from impression , of form as distinct from matter . This theory can be ...
... senses . The theory of the aesthetic senses has also arisen from the failure to establish , or from having lost to view , the character of expression as distinct from impression , of form as distinct from matter . This theory can be ...
Pagina
... senses, who should in an instant acquire the organ of sight alone? The picture we are looking at and believe we see only with our eyes would seem to his eyes to be little more than an artist's paint-smeared palette. Some who hold firmly ...
... senses, who should in an instant acquire the organ of sight alone? The picture we are looking at and believe we see only with our eyes would seem to his eyes to be little more than an artist's paint-smeared palette. Some who hold firmly ...
Pagina
... sense, when we take "content" as equal to "concept" it is most true, not only that art does not consist of content, but also that it has no content. Content and form: another meaning. Prose and poetry. The distinction between poetry and ...
... sense, when we take "content" as equal to "concept" it is most true, not only that art does not consist of content, but also that it has no content. Content and form: another meaning. Prose and poetry. The distinction between poetry and ...
Pagina
... sense in which logicians use the word "represent" when they say that one cannot have a concept of the individual, but only a representation. The so-called concept of the individual is always a universal or general concept, full of ...
... sense in which logicians use the word "represent" when they say that one cannot have a concept of the individual, but only a representation. The so-called concept of the individual is always a universal or general concept, full of ...
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle Ästh Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Giambattista Vico hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting Patrizzi perfection philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle production psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought treatises true truth ugly unity universal Vico Vischer word writers Zimmermann