Æsthetic as science of expression and general linguisticGood Press, 5 dic 2019 - 620 pagine Benedetto Croce's 'Aesthetic as Science of Expression and General Linguistic' is a classic book on aesthetics and art theory. Croce defines aesthetics as the science of intuitive knowledge, and for him, intuition and expression are both of equal value. He offers a detailed history of aesthetics, which is both illuminating and penetrating. The book is a thought-provoking discourse on thinkers whose importance only matches their obscurity. Croce's writing is simple yet deep, making this book a must-read for anyone interested in aesthetics. |
Dall'interno del libro
Risultati 6-10 di 63
Pagina
... universal concept of art. As against this doctrine, in view of the impossibility of conceiving a third mode of knowledge, objections have been brought forward which would lead to the affiliation of history to intellectual or scientific ...
... universal concept of art. As against this doctrine, in view of the impossibility of conceiving a third mode of knowledge, objections have been brought forward which would lead to the affiliation of history to intellectual or scientific ...
Pagina
... universal or general concept, full of characteristics, supremely full, if you like, but however full it be, incapable of attaining to that individuality to which historical knowledge, as æsthetic knowledge, alone attains. To show how ...
... universal or general concept, full of characteristics, supremely full, if you like, but however full it be, incapable of attaining to that individuality to which historical knowledge, as æsthetic knowledge, alone attains. To show how ...
Pagina
... universal: Philosophy. If natural sciences be spoken of, apart from philosophy, we must observe that these are not perfect sciences: they are aggregates of cognitions, arbitrarily abstracted and fixed. The so-called natural sciences ...
... universal: Philosophy. If natural sciences be spoken of, apart from philosophy, we must observe that these are not perfect sciences: they are aggregates of cognitions, arbitrarily abstracted and fixed. The so-called natural sciences ...
Pagina
... universal, that is to say, a form of science, more or less popular or vulgarizing. The same may be said of the æsthetic theory of the typical, when by type is understood, as it frequently is, the abstraction or the concept, and it is ...
... universal, that is to say, a form of science, more or less popular or vulgarizing. The same may be said of the æsthetic theory of the typical, when by type is understood, as it frequently is, the abstraction or the concept, and it is ...
Pagina
... universal. It can gather up expressive facts into logical relations. We have already shown that this operation becomes in its turn concrete in an expression, but this does not mean that the first expressions have not been destroyed ...
... universal. It can gather up expressive facts into logical relations. We have already shown that this operation becomes in its turn concrete in an expression, but this does not mean that the first expressions have not been destroyed ...
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle Ästh Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Giambattista Vico hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting Patrizzi perfection philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle production psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought treatises true truth ugly unity universal Vico Vischer word writers Zimmermann