 | Samuel Johnson - 1825 - 504 pagine
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and, therefore, tires by long continuance....Milton alleges as precedents, not one is popular; what reason could urge in its defence, has been confuted by the ear. But, whatever be the advantage of rhyme,... | |
 | Samuel Johnson - 1825 - 556 pagine
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and, therefore, tires by long continuance....Milton alleges as precedents, not one is popular ; what reason could urge in its defence, has been confuted by the ear. But, whatever be the advantage of rhyme,... | |
 | Samuel Johnson - 1825 - 528 pagine
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers, and, therefore, tires by long continuance....Milton alleges as precedents, not one is popular ; what reason could urge in its defence, has been confuted by the ear. But, whatever be the advantage of rhyme,... | |
 | Samuel Johnson - 1826 - 430 pagine
...some approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular ; what reason could urge in its defence has been confuted by the ear. But, whatever be the advantages of rhyme,... | |
 | John Milton - 1833 - 438 pagine
...that which is called the latidary style; has neither the easiness of prose, nor the melody ofnumbers ; and therefore tires by long continuance. Of the Italian writers without rhyme, whom he alleges as precedents, not one is popular; what reason could urge in its defence, has been confuted... | |
 | Samuel Johnson, Arthur Murphy - 1834 - 722 pagine
...some approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular ; what reason could urge in its defence has been confuted by the ear. But, whatever be the advantages of rhvme,... | |
 | William Cowper - 1835 - 448 pagine
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers; and therefore tires by long continuance....Milton alleges as precedents, not one is popular. What reason could urge in its defence, has been confuted by the ear." Johnson however makes an exception,... | |
 | William Cowper - 1836 - 446 pagine
...some approach to that which is called the lapidary style; has neither the easiness of prose, nor the melody of numbers; and therefore tires by long continuance....Milton alleges as precedents, not. one is popular. What reason could urge in its defence, has been confuted by the ear." Johnson however makes an exception,... | |
 | Samuel Johnson - 1837 - 752 pagine
...some approach to that which is called the lapidary style ; has neither the easiness of prose, nor the melody of numbers, and therefore tires by long continuance....Milton alleges as precedents, not one is popular ; what reason could urge in its defence has been confuted by the ear. from Homer, Milton is perhaps the least... | |
 | Samuel Johnson - 1838 - 716 pagine
...to that which is called the lapidary style ; has neither the easiness of prose, nor the melody q£ ݼ I ׁ ݘ I ŀ... | 鏁 ː Ę reason could urge in its defence has been confuted by the ear. is to bo admired rather than imitated.... | |
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melody of numbers, and therefore tires by long continuance. Of the Italian writers without rhyme, whom Milton alleges as precedents, not one is popular ; what reafon could urge in its •defence, has been confuted by the ear. But, whatever be the advantage... 
