 | Adriana Craciun, Kari Lokke, Kari E. Lokke - 2001 - 414 pagine
...talk himself out of his despair in "Tintern Abbey" by having learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes...humanity, Nor harsh nor grating, though of ample power To chasten and subdue. (lines 88-93) Opie's speaker, by contrast, draws attention to her doubt. Her... | |
 | Stuart Briscoe - 2010 - 773 pagine
...looking and learning. In his mature years he wrote, For / have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes...humanity, Nor harsh nor grating, though of ample power To chasten and subdue.14 Wordsworth, the poet, had learned to look and learn far differently from Watt,... | |
 | Leon Waldoff - 2001 - 192 pagine
...used in lines 85—93 to enhance the tension just before the moment of new awareness: Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense. For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing... | |
 | Jerome McGann - 2002 - 332 pagine
...oscura brought, his poetry argued, an "abundant recompense" for psychic wounding and suffered loss. For I have learned To look on nature, not as in the...humanity, Nor harsh nor grating, though of ample power To chasten and subdue. ("Tintcrn Abbey" [1798]) That lesson would guide and trouble a great deal of... | |
 | Philip A. Verhalen - 2002 - 108 pagine
...untraveled paths of our wonderful atmosphere simply to listen as God speaks to us. Wordsworth says: For I have learned To look on Nature, not as in the...hour Of thoughtless youth; but hearing oftentimes The still, sad music of humanity, Not harsh nor grating, though of ample power To chasten and subdue. And... | |
 | Kristine S. Santilli - 2002 - 182 pagine
...is suddenly listening, us if sound will fill the void, bridging the distance between word and thing. "For I have learned / To look on nature, not as in...Of thoughtless youth; but hearing oftentimes / The still, sad music of humanity" t"Tintem Abbey" 88-91), says the poet, his ear bent in the direction... | |
 | Jonathan Price, Lisa Price - 2002 - 526 pagine
...markup symbols and abbreviations. i have learned to look on nature not as in the (Bf f ) / | ess •\ hour of thoughtless youth but hearing oftentimes the...still, sad music of humanity, nor harsh nor grating, MtaU though of ample power to chasten and subdue. If a tag identifies data, that data becomes available/or... | |
 | Griffith Fellows - 2003 - 212 pagine
...the eye. - That time is past, And all its aching joys are now no more, And all its dizzy raptures. For I have learned To look on nature, not as in the...sad music of humanity, Nor harsh nor grating, though with ample power To chasten and subdue. By the 19th century, some were beginning to realise that the... | |
 | Lloyd V. J. Ridgeon - 2003 - 402 pagine
...(1798): For I have learned To look on nature, not as in the hour Of thoughrless yourh; bur heating oftentimes The still, sad music of humanity, Nor harsh, nor grating, though of ample power To chasten and subdue. Even more in Germany, the philosophy of nature in Herdet, Holderlin, Schelling... | |
 | William Wordsworth, Samuel Taylor Coleridge - 2003 - 356 pagine
...And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor moum, nor murmur: other gifts Have followed, for such loss, I would believe, Abundant recompense. For I have learned To look on nature, not as in the hour 90 Of thoughdess youth, but hearing... | |
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For I have learned To look on nature, not as in the hour Of thoughtless youth, but hearing oftentimes The still, sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue. 
