 | Richard Dutton, Alison Gail Findlay, Richard Wilson - 2003 - 286 pagine
...personal, but cryptic, tribute of affectionate memory to Campion, its conclusion makes far more sense. 'Now get you to my lady's chamber and tell her, let her paint her face an inch thick, to this favour she must come' (5.1.194). After Hamlet's rapprochement with... | |
 | Laurel Richardson, Ernest Lockridge - 2004 - 278 pagine
...skeleton's epic proportions. Ophelia's a-moldering outside somewhere in an unmarked, unhallowed ditch. Now get you to my lady's chamber and tell her, let her paint an inch thick, to this favor she must come. We devour a dinner of delectable Danish ribs, two full racks, and spend the night... | |
 | Laurel Richardson, Ernest Lockridge - 2004 - 278 pagine
...skeletons epic proportions. Ophelia's a-moldering outside somewhere in an unmarked, unhallowed ditch. Now get you to my lady's chamber and tell her, let her paint an inch thick, to this favor she must come. We devour a dinner of delectable Danish ribs, two full racks, and spend the night... | |
 | Paul A. Cantor - 2004 - 122 pagine
...(Ill.i. 142-4) His obsession with women's makeup culminates in his instructions to Yorick's skull: Now get you to my lady's chamber. and tell her. let her paint an inch thick. to this favor she must come; make her laugh at that. (Vi 192-5) The movement of this speech is characteristic... | |
 | Douglas Keister - 2004 - 306 pagine
...your gihes now? your^miiMs? your songs? your flashes of merriment, that were wont to set the tahle on a roar? Not one now, to mock your own grinning? quite chap-fallen? Now get you to my lady's chamher, and tell her, let her paint an inch thick, to this favour she must come, make her laugh at... | |
 | Kenneth Muir - 2005 - 224 pagine
...Hamlet's attack on cosmetics both in his scene with Ophelia and in the graveyard where he tells Yorick: 'Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come.' But the speech is also linked with the discussion of the purpose of playing and the... | |
 | Peter Holland - 2005 - 396 pagine
...that were wont to set the table on a roar? Not one now to mock your own grinning? Quite chop-fallen! Now get you to my lady's chamber and tell her, let her paint an inch thick, to this favour she must come. Make her laugh at that. (5.1.171-80) This powerful memento mori, a theatrical confrontation... | |
 | Susan Rowland - 2005 - 244 pagine
...Horatio, a fellow of infinite jest. . . Here hung those lips, that I have kiss'd I know not how oft. . . Now get you to my Lady's chamber, and tell her, let her paint an inch thick, to this favour she must come. Make her laugh at that. (V, i, 178-89) So far in this scene the extinction of Hamlet... | |
 | William Shakespeare - 2005 - 900 pagine
...that were wont to set the table on a roar? Not one now to mock your own grinning? Quite chop fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come. Make her laugh at that. Prithee, Horatio, tell me one thing. HORATIO What's that, my... | |
 | Catherine E. Ingrassia, Jeffrey S. Ravel - 2005 - 364 pagine
...blazoned upon the skin, may ultimately hasten one's end. Like Hamlet's address to Yorick's skull — "Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favor she must come"cosmetics remind the mercurial woman that she cannot — as one contemporary observer... | |
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... in my imagination it is! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock... 
