 | Samuel Taylor Coleridge - 1812 - 466 pagine
...wanting beside it one of those beautiful female faces which the Same Hogarth, in whom the >.atyrist never extinguished that love of beauty which belonged to him as a Poet, so often and so gladly introduces as the central figure in a crowd of humourous deformities, which... | |
 | 1815 - 558 pagine
...effect occasioned: nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humorous deformities, which figure... | |
 | 1814 - 1032 pagine
...effect occasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, 50 often and so gladly introduces as the central figure in a crowd of humorous deformities, which figure... | |
 | 1815 - 554 pagine
...effect occasioned: nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humorous deformities, which figure... | |
 | Samuel Taylor Coleridge - 1817 - 326 pagine
...wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satyrist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humourous deformities, which... | |
 | Charles Lamb - 1818 - 288 pagine
...effect occasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humourous deformities, which... | |
 | 1826 - 566 pagine
...was innate, in spite of certain critics calling him a vulgar artist. Coleridge says of him, that " the satirist never extinguished that love of beauty, which belonged to him as a poet." As a painter of morals Hogarth stands without a competitor. The French critics complain, that the English... | |
 | Thomas Curtis (of Grove house sch, Islington) - 512 pagine
...was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom iho satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humorous deformities : which... | |
 | William Hogarth - 1833 - 538 pagine
...effect ocasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the Satirist never extinguished that love of beauty which belonged to him as a Poet, so often and so gladly introduces as the central figure in a crowd of humourous deformities ; which... | |
 | Samuel Taylor Coleridge - 1834 - 360 pagine
...effort occasioned ; nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humourous deformities, which... | |
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never drew a more ludicrous distortion, both of attitude and physiognomy, than this effect occasioned: nor was there wantin'g beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty... 
