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" never drew a more ludicrous distortion, both of attitude and physiognomy, than this effect occasioned: nor was there wantin'g beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty... "
The International Monthly Magazine of Literature, Science, and Art - Pagina 154
1851
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Lectures on English Literature: From Chaucer to Tennyson

Henry Reed - 1855 - 387 pagine
...capacity for the enjoyment of beauty : while the best critics on his works applauded him as an artist "in whom the satirist never extinguished that love of beauty which belonged to him as a poet;" and who so used his genius as to "prevent the instinctive merriment at the whims of nature, or the...
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LECTURES ON ENGLISH LITERATURE, FROM CHAURER TO TENNYSON

HENRY REED - 1855
...capacity for the enjoyment of beauty : while the best critics on his works applauded him as an artist "in whom the satirist never extinguished that love of beauty which belonged to him as a poet;" and who so used his genius as to "prevent the instinctive merriment at the whims of nature, or the...
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Works, with a Sketch of His Life and Final Memorials, Volume 2

Charles Lamb - 1855
...effect occasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belongeif to him as a poet, so often and so gladly introduces as the central figure in a crowd of humorous...
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Rosamund Gray, Essays, Letters, and Poems

Charles Lamb - 1856 - 425 pagine
...effect occasioned: nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humorous deformities, which figure...
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THE WORKS OF CHARLES LAMB

1856
...effect occasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humorous deformities, which figure...
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Introduction to English literature, from Chaucer to Tennyson

Henry Reed - 1857 - 360 pagine
...capacity for the enjoyment of beauty : while the best critics on his works applauded him as an artist "in whom the satirist never extinguished that love of beauty which belonged to him as a poet ;" and who so used his genius as to " prevent the instinctive merriment at the whims of nature, or...
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The Complete Works of Samuel Taylor Coleridge: With an ..., Volume 3

Samuel Taylor Coleridge - 1864
...effort occasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces, as the central figure, in a crowd of humorous deformities, which...
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The Complete Works of Samuel Taylor Coleridge: With an ..., Volume 3

Samuel Taylor Coleridge - 1864
...effort occasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces, as the central figure, in a erowd of humorous deformities, which...
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Works: Including His Most Intesesting Letters

Charles Lamb - 1867 - 648 pagine
...effect occasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humorous deformities, which figure...
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The English Humorists of the Eighteenth Century: A Series of Lectures

William Makepeace Thackeray - 1867 - 309 pagine
...read * Coleridge speaks of the "beautiful female faces" in Hogarth's pictures, "in whom," he says, "the satirist never extinguished that love of beauty which belonged to him as a poet.'— The Friend. "I say not that all the ridiculous subjects of Hogarth have necessarily something in them...
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