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" never drew a more ludicrous distortion, both of attitude and physiognomy, than this effect occasioned: nor was there wantin'g beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty... "
The International Monthly Magazine of Literature, Science, and Art - Pagina 154
1851
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The Works of William Makepeace Thackeray, Volume 23

William Makepeace Thackeray - 1885
...* Coleridge speaks of the " beautiful female faces " in Hogarth's pictures, " in whom," he says, " the satirist never extinguished that love of beauty which belonged to him as a poet." — Tlie Friend. f " I was pleased with the reply of a gentleman, who, being asked which book he esteemed...
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The Works of Charles and Mary Lamb: Miscellaneous prose, 1798-1834

Charles Lamb, Mary Lamb - 1903
...effect occasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humorous deformities, 1 If there...
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Critical essays

Charles Lamb, Mary Lamb - 1903
...effect occasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humorous deformities, which figure...
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The Works of Charles and Mary Lamb: Miscellaneous prose, 1798-1834

Charles Lamb, Mary Lamb - 1903
...effect occasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladlv introduces as the central figure in a crowd of humorous deformities, 1 If there...
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Essays of Charles Lamb

Charles Lamb - 1904 - 413 pagine
...30 occasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the 1 The Friend, No. XVI. central figure in a crowd of humorous...
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The Art of Looking at Pictures: An Introduction to the Old Masters

Carl Hammond Philander Thurston - 1916 - 291 pagine
...whether to admire a passage for its pictorial or its dramatic qualities." — Sir Walter Armstrong. "The satirist never extinguished that love of beauty which belonged to him as a poet." — Charles Lamb. "Everything in his pictures has life and motion in it." — William Hazlitt. "English...
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The Argonaut, Volume 5

1875
...drum in the centre of the print of Southwark Fair. Coleridge speaks of those beautiful faces which Hogarth, " in whom the satirist never extinguished...[that love of beauty which belonged to him as a poet, so often introduces as the central figure in a crowd of humorous deformities, which figure (such is...
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The English Humourists of the Eighteenth Century and Charity and Humour

William Makepeace Thackeray - 2007 - 283 pagine
...reputation.* * Coleridge speaks of the "beautiful female faces" in Hogarth's pictures, "in whom," he says, "the satirist never extinguished that love of beauty which belonged to him as a poet." — The Friend. 74.21 His art is quite simple,* * "I was pleased with the reply of a gentleman, who,...
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New Monthly Magazine, Volume 18

Thomas Campbell, Samuel Carter Hall, Edward Bulwer Lytton Baron Lytton, Theodore Edward Hook, Thomas Hood, William Harrison Ainsworth - 1826
...was innate, in spite of certain critics calling him a vulgar artiat. Coleridge says of him, that " the satirist never extinguished that love of beauty, which belonged to him as a poet." As a painter of morals Hogarth stands without a competitor. The French critics complain, that the English...
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