...our perception, by our complicated interchange with the material world (what Wordsworth described as "all the mighty world / Of eye, and ear, — both what they half create, / And what perceive"). Another idiosyncratic Marxist, the young Richard Wright, concurred in a 1936 manifesto called "Blueprint...

...refers to the Mind or to the actual Ravine.21 There are, of course, echoes of Wordsworth's tribute to "the mighty world / Of eye, and ear,— both what they half create, / And what perceive" (WPW, 2:262) in these lines: Thou art pervaded with that ceaseless motion, Thou art the path of that...

...sky, and in the mind of man, A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore...green earth; of all the mighty world Of eye and ear... Wordsworth's biographer Stephen Gill notes that '"therefore" is the pivotal word in this declaration'....

...kindles a disturbing joy at the intermittent sense of "something far more deeply interfused" pervading all things: . . . Therefore am I still A lover of...all the mighty world Of eye and ear, both what they half-create, And what perceive: well pleased to recognize In nature and the language of the sense,...

...Wordsworth expresses it in this well-known passage from "Lines Composed a Few Miles above Tintern Abbey": Therefore am I still A lover of the meadows and the...the mighty world Of eye, and ear — both what they half-create, And what perceive; well-pleased to recognize In Nature and the language of the sense,...

...sky, and in the mind of man; A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore...the woods, And mountains; and of all that we behold Of eye, and ear, — both what they half create, And what perceive; well pleased to recognise In nature...

...sublime Of something far more deeply interfused Whose dwelling is the light of setting suns, . . . Therefore am I still A lover of the meadows and the...green earth; of all the mighty world Of eye, and ear . . . . . . well-pleased to recognise In nature and the language of the sense The anchor of my purest...

...perspective in Stevens, from "Sunday Morning" in 1915 onward. "if only half-perceived": echoing and revising "all the mighty world of eye, and ear — both what they half create, / And what perceive" (Wordsworth, "Lines . . . [on] Tintern Abbey," 105—7); the internal rhyme with "affluence" mitigates...

...Montgomery's way of seeing. Like William Wordsworth, Montgomery believed the poet/ writer is inspired by the 'mighty world / Of eye and ear both what they half create, / And what perceive' ('Tintern Abbey/ 11. 106-7). Like the Romantic-inspired writers she loved most - Burns, Wordsworth,...

...que son changement radical d'attitude face à la nature n'entamait nullement son amour pour elle : « Therefore am I still / A lover of the meadows, and the woods, / And mountains". » L'adverbe « stili '» souligne ici qu'à la manière d'un fil traversant son existence en en reliant...