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" I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chapfallen? Now get you to my lady's chamber, and... "
The Shakspere Allusion-book: A Collection of Allusions to Shakspere from ... - Pagina 344
a cura di - 1909
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The Dance of Death Exhibited in Elegant Engravings on Wood: With a ...

Francis Douce - 1833 - 406 pagine
...some such print or painting, Hamlet, holding a scull in his hand, evidently alludes in Act v. Sc. 1. "Now get you to my lady's chamber, and tell her let...paint an inch thick, to this favour she must come." A print of the tree of knowledge, the serpent holding the apple in his mouth. Below, several animals,...
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Great Scenes from Shakespeare's Plays

John Green, Paul Negri - 2000 - 68 pagine
...that were wont to set the table on a roar? Not one now to mock your own grinning? Quite chop-fallen? Now get you to my lady's chamber, and tell her, let...paint an inch thick, to this favour she must come. Make her laugh at that. Prithee, Horatio, tell me one thing. HORATIO. What's that, my lord? HAMLET....
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Shakespeare's Dramatic Genres

Lawrence Danson - 2000 - 172 pagine
...devastating truth it tells. 'Now get you to my lady's chamber', says Hamlet, holding the skull of Yorick, 'and tell her, let her paint an inch thick, to this favour she must come' (5. 1. 188-90). The message delivered by Yorick's rotting skull is, in itself, banal: we know that...
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Deadly Thought: Hamlet and the Human Soul

Jan H. Blits - 2001 - 420 pagine
...concludes by mordantly imagining the skull appearing before the mirror of a woman putting on her cosmetics: Now get you to my lady's chamber and tell her, let...paint an inch thick, to this favour she must come. Make her laugh at that. (5.1.186-89) Earlier, Hamlet had criticized women for having been given one...
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Hamlet: The Tragedie of Hamlet, Prince of Denmarke

William Shakespeare - 2001 - 304 pagine
...that were wont to set the table on a roar? No one now to mock your own jeering? 55 Quite chop-fallen? Now get you to my lady's chamber and tell her, let...paint an inch thick, to this favour she must come. Make her laugh at that. Prithee, Horatio, tell me one thing. Horatio What's that, my lord? Hamlet Dost...
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Who's who in Shakespeare

Peter Quennell, Hamish Johnson - 2002 - 246 pagine
...that were wont to set the table on a roar? Not one now to mock your own grinning? Quite chop-fallen ? Now get you to my lady's chamber, and tell her, let...paint an inch thick, to this favour she must come. Make her laugh at that, (vi) York, Archbishop of (R.Il) see SCROOP, RICHARD. York, Archbishop of (R.III)...
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Enter the Body: Women and Representation on Shakespeare's Stage

Carol Chillington Rutter - 2001 - 244 pagine
...comes with other instructions, ventriloquized by yet another of the king's doubles, Hamlet, his son: 'Now get you to my lady's chamber and tell her, let...paint an inch thick, to this favour she must come.' Yorick's wisdom makes revenge superfluous. 'To this favour [we] must come' means we don't need to 'take...
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The Klingon Hamlet

Lawrence Schoen - 2001 - 240 pagine
...that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen? Now get you to my lady's chamber, and tell her, let...paint an inch thick, to this favour she must come; make her laugh at that. Prithee, Horatio, tell me one thing. Horatio What's that, my lord? Hamlet Dost...
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The Origins of English Words: A Discursive Dictionary of Indo-European Roots

Joseph Twadell Shipley - 2001 - 688 pagine
...sky. Good heavens! "Alas! poor Yorick. . . . Where be your gibes now? Your gambols? Your songs? . . . Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come"-Hamlet, contemplating the skull of the Court Jester. kan: sing. L canere; frequentative cantare,...
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Hamlet by William Shakespeare and Rosencratz and Gildenstern are Dead by Tom ...

Lloyd Cameron, Rebecca Barnes - 2001 - 116 pagine
...skull in the grave, he comes to the realisation that everyone's fate is the same. He says to Horatio: Now get you to my lady's chamber and tell her, let her paint an inch thick, to this favour must she come. (Act V, Sc. i, lines 189-91) Rosencrantz is also concerned with the inevitability of...
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